English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 sivua |
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Tulokset 1 - 3 kokonaismäärästä 49
Sivu 65
... scenes ; but the reason is , because they have seldom above two or three scenes , properly so called , in every act ; for it is to be accounted a new scene , not only every time the stage is empty ; but every person who enters , though ...
... scenes ; but the reason is , because they have seldom above two or three scenes , properly so called , in every act ; for it is to be accounted a new scene , not only every time the stage is empty ; but every person who enters , though ...
Sivu 69
... scene in the Troades , where Ulysses is seeking for Astyanax to kill him : there you see the tenderness of a mother 740 ... scenes , you will find few among them ; their tragic poets dealt not with 745 that soft passion , but with lust ...
... scene in the Troades , where Ulysses is seeking for Astyanax to kill him : there you see the tenderness of a mother 740 ... scenes , you will find few among them ; their tragic poets dealt not with 745 that soft passion , but with lust ...
Sivu 86
... scenes , they are forced many times to omit some beauties which cannot be 1400 shown where the act began ; but might , if the scene were inter- rupted , and the stage cleared for the persons to enter in another place ; and therefore the ...
... scenes , they are forced many times to omit some beauties which cannot be 1400 shown where the act began ; but might , if the scene were inter- rupted , and the stage cleared for the persons to enter in another place ; and therefore the ...
Sisältö
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Tekijänoikeudet | |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write