English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 60
Sivu 9
... speak metaphorically , a 255 speaking picture , with this end , to teach and delight . Of this have been three several kinds . The chief , both in antiquity and excellency , were they that did imitate the incon- ceivable excellencies of ...
... speak metaphorically , a 255 speaking picture , with this end , to teach and delight . Of this have been three several kinds . The chief , both in antiquity and excellency , were they that did imitate the incon- ceivable excellencies of ...
Sivu 69
... speak generally , their lovers say little , when they see each other , 755 but anima mea vita mea ; Zwǹ kai vyý , as the women in Juvenal's time used to cry out in the fury of their kindness . Any sudden gust of passion ( as an ecstasy ...
... speak generally , their lovers say little , when they see each other , 755 but anima mea vita mea ; Zwǹ kai vyý , as the women in Juvenal's time used to cry out in the fury of their kindness . Any sudden gust of passion ( as an ecstasy ...
Sivu 88
... speak of the play , to give us a character of the author ; and tell us frankly your opinion , whether you do not think all writers , both French and English , ought to give place 1490 to him . ' 1495 ' I fear , ' replied Neander ...
... speak of the play , to give us a character of the author ; and tell us frankly your opinion , whether you do not think all writers , both French and English , ought to give place 1490 to him . ' 1495 ' I fear , ' replied Neander ...
Sisältö
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Tekijänoikeudet | |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write