English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 21
Sivu 17
... universal consideration , and the history with kathekaston , the particular . ' Now , ' saith he , ' the universal weighs what is fit to be said or done , either in likelihood or necessity , which the poesy considereth in his imposed ...
... universal consideration , and the history with kathekaston , the particular . ' Now , ' saith he , ' the universal weighs what is fit to be said or done , either in likelihood or necessity , which the poesy considereth in his imposed ...
Sivu 201
... universal in the individual . The chief differences are , that in Geometry it is the universal truth , which is uppermost in the consciousness ; in poetry the individual form , in which the truth is clothed . With the ancients , and not ...
... universal in the individual . The chief differences are , that in Geometry it is the universal truth , which is uppermost in the consciousness ; in poetry the individual form , in which the truth is clothed . With the ancients , and not ...
Sivu 236
... universal , ideal , and sublime . It is perhaps the intervention of this principle which determines the balance in favour of King Lear against the Oedipus Tyrannus or the Aga- 425 memnon , or , if you will , the trilogies with which ...
... universal , ideal , and sublime . It is perhaps the intervention of this principle which determines the balance in favour of King Lear against the Oedipus Tyrannus or the Aga- 425 memnon , or , if you will , the trilogies with which ...
Sisältö
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Tekijänoikeudet | |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write