The Spatial Infinite at Greenwich in Works by Christopher Wren, James Thornhill, and James Thomson: The Newton ConnectionEdwin Mellen Press, 1995 - 139 sivua The Greenwich connection with Newtonian science is exemplified by Sir Christopher Wren's spatially-extended, open-center design for the Greenwich Naval Hospital complex, the site of the Royal Observatory, and his application of Newtonian "conics" to the site. |
Sisältö
The Natural or Newtonian Sublime | 19 |
Wrens Greenwich Naval Hospital and the Spatial Mechanics | 35 |
A Newtonian | 59 |
The Newtonian Sublime of James Thomsons Poem Sacred to | 91 |
Newton the Arts and Greenwich | 117 |
| 135 | |
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Addison aesthetic Andrea Pozzo arches astronomical Baroque Architecture Bolton ceiling painting Christopher Wren colonnaded courtyard comets concept cour d'honneur Critical Croft-Murray Descartes dome dynamic earth Eighteenth Century end zones England English Baroque extended fictive figures Galileo Glorification of William gravitation Greenwich Naval Hospital grisaille Halley Hawksmoor heavens illusionistic imagination infinity Isaac Newton James Thomson James Thornhill John John Flamsteed John Summerson Joseph Addison Kerry Downes Koyré light London Lower Painted Hall moon motion Mountain Gloom Natural Philosophy natural sublime Newton's Principia Newtonian Nicolson Opticks Osmun oval Oxford University Press Painted Hall Painted Hall Ceiling paired perspective planets Plate Pozzo quadratura Queen's House Royal Naval Hospital Royal Society scientific Seasons seventeenth century Sir Isaac Soul's College Source space spatial infinite Summer Summerson telescope theory Thornhill's Tuveson Verrio vista Whinney William and Mary World Wren Society Publications Wren's York