Familiar Talks on the History of MusicG. Schirmer, 1913 - 285 sivua |
Kirjan sisältä
Tulokset 1 - 5 kokonaismäärästä 6
Sivu 34
... cantus firmus ( fixed chant ) , a name which has not changed through all the passing centuries . Some very interesting things are told about the final adop- tion of the form of chant which should be used , since some priests preferred ...
... cantus firmus ( fixed chant ) , a name which has not changed through all the passing centuries . Some very interesting things are told about the final adop- tion of the form of chant which should be used , since some priests preferred ...
Sivu 48
... cantus firmus , was sub- stituted for the stationary tone of the secular organum , and another melody , called discantus , improvised above it , note against note . The association of two such distinct melodies forms the real beginning ...
... cantus firmus , was sub- stituted for the stationary tone of the secular organum , and another melody , called discantus , improvised above it , note against note . The association of two such distinct melodies forms the real beginning ...
Sivu 51
... cantus firmus of the Church with an improvisation above it . As soon as this was a settled practice , it was but a step to three- and four - part counterpoint , which were first used in the Motet and in secular compositions . There was ...
... cantus firmus of the Church with an improvisation above it . As soon as this was a settled practice , it was but a step to three- and four - part counterpoint , which were first used in the Motet and in secular compositions . There was ...
Sivu 73
... cantus firmus . The most brilliant exponent and master of the Gallo Belgic The Development of Vocal Polyphony 73.
... cantus firmus . The most brilliant exponent and master of the Gallo Belgic The Development of Vocal Polyphony 73.
Sivu 74
... cantus firmus in the Mass . He chose for his first effort in this direction the song " L'omme armé , " which was very popular at that time , and used it as a melodic basis for a Mass , which became known under the title of the popular ...
... cantus firmus in the Mass . He chose for his first effort in this direction the song " L'omme armé , " which was very popular at that time , and used it as a melodic basis for a Mass , which became known under the title of the popular ...
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
accompaniment aria artistic Bach bass beautiful became Beethoven began called cantus firmus Catholic Church music century chant character choir choral chorus Chri Christian church modes composers compositions contrapuntal discant dramatic early efforts emotional Europe expression flutes folk-songs France French opera Gabrieli genius German opera Gluck greatest Greek Gregorian Gregorian chant Händel harmony harp Haydn Heinrich Schütz honor hymns idea ideals influence instrumental music Italian Italian opera Italy Josquin Lassus later learned Mass master melody ments modes Monteverde Motet Mozart musical art musical instruments musicians nations Netherland school octave opera Opéra-Comique Oratorio orchestra organist ORLANDUS LASSUS Orpheus Palestrina Passion performance piano played players poetry poets polyphonic popular Protestant church Psalms pupils recitative religious Renaissance result rhythm romantic Rome sacred scale secular singers singing solo song soprano spirit strings style sung symphony TENOR Tetrachord tion tone utterance Venice Vienna violin vocal voices Willaert written wrote
Suositut otteet
Sivu 186 - The Whole Booke of Psalmes : with their wonted tunes, as they are song in Churches, composed into four parts : All which are so placed that foure may sing ech one a seueral part in this booke. Wherein the Church tunes are carefully corrected, and thereunto added other short tunes vsually song in London, and other places of this Realme.
Sivu 13 - Wherefore didst thou flee away secretly, and steal away from me ; and didst not tell me, that I might have sent thee away with mirth, and with congs, with tabret, and with harp ? 28 And hast not suffered me to kiss my sons and my daughters?
Sivu 231 - I give forth what is in me. When I think of the Divine Being, my heart is so full of joy that the notes fly off as from a spindle. And as I have a cheerful heart, He will pardon me if I serve Him cheerfully!
Sivu 210 - Some say, compar'd to Bononcini, That Mynheer Handel's but a ninny ; Others aver that he to Handel Is scarcely fit to hold a candle.' Strange all this difference should be Twixt Tweedledum and Tweedledee.
Sivu 69 - And hope within me seem'd to live Until the moment when I thought That they who injure ne'er forgive. Be pardon ready !— oft one sees A wound inflicted ne'er intended, And oftener by carelessness Than by design are men offended. I hoped in vain— when hope had brought Her dreams so fond, so fugitive ; I hoped— but sunk beneath the thought That they who injure ne'er forgive.
Sivu 69 - I WOULD not any man should hear The birds that sweetly sing above, Save he who knows the power of love : For naught beside can soothe or cheer My soul, like that sweet harmony ; Or like herself, who, yet more dear, Hath greater power my soul to move Than songs or lays of Brittany.
Sivu 26 - Christians upon the vigils of saints, says, " After supper their sacred songs began. When all were arisen, they selected from the rest two choirs — one of men, and one of women — in order to celebrate some festival; and from each of these a person of a majestic form, and well skilled in music, was chosen to lead the band.
Sivu 166 - I seek to put music to its true purpose ; that is, to support the poem, and thus to strengthen the expression of the feelings and the interest of the situation without interrupting the action.
Sivu 240 - Begin with capitals the names of the days of the week and the months of the year.
Sivu 23 - Calliope the deeds of heroes sings ; Great Clio sweeps to history the strings ; Euterpe teaches mimes their silent show ; Melpomene presides o'er scenes of woe ; BDTSE8— continued.