Studies of ShakspereG. Routledge, 1868 - 560 sivua |
Kirjan sisältä
Tulokset 1 - 5 kokonaismäärästä 100
Sivu 16
... principle of dramatic art in them , although in their outward form they appeared to be dramas . Gosson says , " These plays are good plays and sweet plays , and of all plays the best plays , and most to be liked , worthy to be sung of ...
... principle of dramatic art in them , although in their outward form they appeared to be dramas . Gosson says , " These plays are good plays and sweet plays , and of all plays the best plays , and most to be liked , worthy to be sung of ...
Sivu 24
... principle that they Medea , and Creon's daughter . Ate , who is produced the most perfect work of art when the great show - woman of these scenes , intro- they took their art entirely out of the pro- duces her puppets on each occasion ...
... principle that they Medea , and Creon's daughter . Ate , who is produced the most perfect work of art when the great show - woman of these scenes , intro- they took their art entirely out of the pro- duces her puppets on each occasion ...
Sivu 25
Charles Knight. but at the same time real . The lowest art embodies a principle opposite to nature ; something purely conventional , and conse- quently always uninteresting , often grotesque and ridiculous . ' Locrine ' furnishes ...
Charles Knight. but at the same time real . The lowest art embodies a principle opposite to nature ; something purely conventional , and conse- quently always uninteresting , often grotesque and ridiculous . ' Locrine ' furnishes ...
Sivu 29
... principle of alliteration is carried into the most ludicrous absurdity , and the pathos is scarcely more moving than the woes of Pyramus and Thisby in A Mid- summer Night's Dream . ' One example of a lady in distress may suffice ...
... principle of alliteration is carried into the most ludicrous absurdity , and the pathos is scarcely more moving than the woes of Pyramus and Thisby in A Mid- summer Night's Dream . ' One example of a lady in distress may suffice ...
Sivu 45
... principle , because there the characterization of Timon himself is the Shaksperian creation ; and that de- pends extremely little upon the general ac- tion , which , to a large extent , is episodical . tor , who exhibited the same ...
... principle , because there the characterization of Timon himself is the Shaksperian creation ; and that de- pends extremely little upon the general ac- tion , which , to a large extent , is episodical . tor , who exhibited the same ...
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action amongst appears Arden audience beauty believe Brutus Cæsar called character Coleridge comedy Comedy of Errors copy criticism Cymbeline death doth doubt drama Duke edition English exhibit eyes Falstaff father fear Fletcher folio give Hamlet hath heart Henry Henry IV honour John Jonson Julius Cæsar King labour lady Lear live Locrine look lord Love's Love's Labour's Lost Macbeth Malone master Merry Wives mind nature never night noble Noble Kinsmen opinion original Othello passage passion play players poem poet poet's poetical poetry praise Prince principle printed produced quarto Queen racter reader Richard Richard II Romeo and Juliet says scene Shak Shakspere Shakspere's Sonnets soul speak spere spirit stage Steevens story sweet tell thee thine thing thou art thought Timon tion Titus Andronicus tragedy Troilus and Cressida true truth verse words writer written
Suositut otteet
Sivu 478 - Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved.
Sivu 235 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Sivu 490 - Gainst death and all-oblivious enmity Shall you pace forth; your praise shall still find room, Even in the eyes of all posterity That wear this world out to the ending doom. So till the judgment that yourself arise, You live in this, and dwell in lovers
Sivu 494 - When I have seen the hungry ocean gain Advantage on the kingdom of the shore, And the firm soil win of the wat'ry main, Increasing store with loss and loss with store; When I have seen such interchange of state, Or state itself confounded to decay, Ruin hath taught me thus to ruminate, That Time will come and take my love away.
Sivu 497 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Sivu 161 - Yet I argue not Against Heaven's hand or will, nor bate a jot Of heart or hope ; but still bear up and steer Right onward.
Sivu 496 - Give warning to the world that I am fled From this vile world, with vilest worms to dwell : Nay, if you read this line, remember not The hand that writ it ; for I love you so That I in your sweet thoughts would be forgot If thinking on me then should make you woe.
Sivu 103 - Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, — The seasons...
Sivu 106 - gainst my fury • Do I take part : the rarer action is In virtue than in vengeance : they being penitent, The sole drift of my purpose doth extend Not a frown further : Go, release them, Ariel ; My charms I'll break, their senses I'll restore, • And they shall be themselves.
Sivu 470 - When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's •waste...