Critical Writing for the Journalist |
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5 Background for Criticism > Should a critic have special training and experience in the subject he criticizes ? ... Mr. Meisler found that of twenty - one writers on music , two had had musical training , one had operated a dance hall ...
5 Background for Criticism > Should a critic have special training and experience in the subject he criticizes ? ... Mr. Meisler found that of twenty - one writers on music , two had had musical training , one had operated a dance hall ...
Sivu 56
that a music critic of what he called " one of the leading newspapers in the Northwest ” once asked to interview him . Instead he interviewed the critic . This was the result : " How long have you been a music critic ? ” he asked .
that a music critic of what he called " one of the leading newspapers in the Northwest ” once asked to interview him . Instead he interviewed the critic . This was the result : " How long have you been a music critic ? ” he asked .
Sivu 64
he wrote on music for the New York Times , and then became a Time critic . A look at the biographies of Walter Kerr , New York Herald Tribune drama critic , and of Maurice Dolbier , book critic for the same paper , shows similar sound ...
he wrote on music for the New York Times , and then became a Time critic . A look at the biographies of Walter Kerr , New York Herald Tribune drama critic , and of Maurice Dolbier , book critic for the same paper , shows similar sound ...
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Extent and Functions | 13 |
As an Occupation | 37 |
The Philosophies of Criticism | 70 |
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