 | David Hume - 1826 - 508 sivua
...single power of the soul, which remains unalterably i"i^!™)uiiyf *-he same, perhaps for one moment. The mind is a kind of theatre, where several perceptions...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different, whatever natural propension... | |
 | David Hume - 1854 - 468 sivua
...is there any single power of the soul, which remains unalterably the same, perhaps for one moment. The mind is a kind of theatre, where several perceptions...pass, repass, glide away, and mingle in an infinite varicty of postures and situations. There is properly no simplicity in it at one time, nor identity... | |
 | Dugald Stewart - 1858 - 548 sivua
...succeed each other with an inconceivable rapidity, and are in a perpetual flux and movement. . . . The mind is a kind of theatre, where several perceptions...appearance ; pass, repass, glide away, and mingle iu an infinite variety of postures and situations. There is properly no simplicity in it at one time,... | |
 | Victor Cousin - 1855 - 650 sivua
...The mind is a kind of theater, where several perceptions successively make their appearance, pass and repass, glide away and mingle in an infinite variety of postures and situations The comparison of the theater must not mislead us. They are the successive perceptions only that constitute... | |
 | Charles Beard - 1865 - 736 sivua
...lying behind phenomena, either sensible or mental. " The mind is a kind of theatre," says Mr. Hume, " where several perceptions successively make their...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different; whatever natural propension... | |
 | 1865 - 728 sivua
...lying behind phenomena, either sensible or mental. " The mind is a kind of theatre," says Mr. Hume, " where several perceptions successively make their...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different ; whatever natural propension... | |
 | William Jackson - 1874 - 432 sivua
...catch myself at any time without a perception, and never can observe anything but the perception. . . . The mind is a kind of theatre, where several perceptions...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different ; whatever natural propension... | |
 | William Jackson - 1874 - 436 sivua
...catch myself at any time without a perception, and never can observe anything but the perception. . . . The mind is a kind of theatre, where several perceptions...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different ; whatever natural propension... | |
 | David Hume - 1874 - 604 sivua
...contradiction in terms. There can be ' properly no simplicity in it at one time, nor identity at different ; it is a kind of theatre where several perceptions successively make their appearance.' But this comparison must not mislead us. ' They are the successive perceptions only, that constitute... | |
 | David Hume - 1874 - 604 sivua
...contradiction in terms. There can be ' properly no simplicity in it at one time, nor identity at different ; it is a kind of theatre where •» several perceptions successively make their appearance.' But this comparison must not mislead us. ' They are the successive perceptions only, that constitute... | |
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The mind is a kind of theatre, where several perceptions successively make their appearance, pass, repass, glide away, and mingle in an infinite variety of postures and situations. 
