Introducing Bakhtin

Etukansi
Manchester University Press, 1997 - 240 sivua
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The Russian critic and theorist Mikhail Bakhtin is once again in favor, his influence spreading across many discourses including literature, film, cultural and gender studies. This book provides the most comprehensive introduction to Bakhtin’s central concepts and terms. Sue Vice illustrates what is meant by such ideas as carnival, the grotesque body, dialogism and heteroglossia. These concepts are then placed in a contemporary context by drawing out the implications of Bakhtin’s writings, for current issues such as feminism and sexuality. Vice’s examples are always practically based on specific texts such as the film Thelma and Louise, Helen Zahavi’s Dirty Weekend and James Kelman's How late it was, how late.
 

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Sisältö

INTRODUCTION
1
The Dialogic Imagination
9
I hear voices everywhere
18
DN Discourse in the Novel in DI
41
and conflict between them
45
voices with equal rights
112
Carnival and the grotesque body
149
A Critical Sketch
166
fleshing out time
200
SELECT BIBLIOGRAPHY
229
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Sue Vice is Lecturer in English Literature at the University of Sheffield.

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