Public Sculpture of Staffordshire and the Black Country

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Liverpool University Press, 2005 - 334 sivua
The "Black Country" is an area historically known as the cradle of the Industrial Revolution—a thriving regioin built around deep coal seams, conjuring up images of fiery red furnaces by night and black, sooty citadels by day. Yet today the resource-rich region also features many striking public sculptures. This volume provides a comprehensive catalog to all of the historic sculptures and public monuments in Staffordshire and the Black Country.
George Noszlopy and Fiona Waterhouse catalog each individual sculpture in detail, including information about the sculptor, the sculpture's historical and artistic significance, the commissioning agent, and the date of installation. The volume also features 350 black-and-white photographs that document the diverse and rich beauty of the region's public monuments. The ninth volume in the widely acclaimed, award-winning Public Sculpture of Britain series, Public Sculpture of Staffordshire and the Black Country is an invaluable resource for British historians, art scholars, and travelers alike.

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the Black Country i
20
ecclesiastical monuments
212
minor works
237
Glossary
249

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Tietoja kirjailijasta (2005)

George T. Noszlopy is Professor Emeritus of art history at the University of Central England. His previous publications include Public Sculpture of Birmingham, Public Sculpture of Warwickshire, Coventry, and Solihull, Public Sculpture of Staffordshire and the Black Country and the BirminghamSculpture Trails. Fiona Waterhouse is a researcher at the University of Central England. Her previous publications include Public Sculpture of Staffordshire and the Black Country and the Birmingham Sculpture Trails.

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