Programming the Absolute: Nineteenth-century German Music and the Hermeneutics of the MomentPrinceton University Press, 10.11.2002 - 346 sivua Programming the Absolute discusses the notorious opposition between absolute and program music as a true dialectic that lies at the heart of nineteenth-century German music. Beginning with Beethoven, Berthold Hoeckner traces the aesthetic problem of musical meaning in works by Schumann, Wagner, Liszt, Mahler, and Schoenberg, whose private messages and public predicaments are emblematic for the cultural legacy of this rich repertory. |
Sisältö
Introduction | 1 |
Beethovens Star 1 | 15 |
Schuman n ns Distance | 51 |
Elsas Scream 1 1 5 | 115 |
Liszts Prayer | 155 |
Schoenbergs Gaze | 189 |
1 Georg Benda Ariadne auf Naxos | 201 |
2 Musicotextural counterpoint in Erwartung | 207 |
Echos Eyes | 224 |
1 Beethoven op 111 Arietta Variations | 232 |
2 a Mahlers allusion to Kindertotenlieder | 253 |
5 Kindertotenlieder no 2 mm 3847 | 259 |
Notes | 266 |
317 | |
339 | |
4 Die Jakobsleiter mm 602607 with | 221 |
Muita painoksia - Näytä kaikki
Programming the Absolute: Nineteenth-century German Music and the ... Berthold Hoeckner Rajoitettu esikatselu - 2002 |
Programming the Absolute: Nineteenth-Century German Music and the ... Berthold Hoeckner Rajoitettu esikatselu - 2021 |