At the Temple of Art: The Grosvenor Gallery, 1877-1890

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Fairleigh Dickinson Univ Press, 2000 - 263 sivua
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"In the hands of an innovative team consisting of Sir Coutts Lindsay, his wife Blanche Lindsay, and two managers, Charles Halle and Joseph Comyns Carr, the gallery developed a reputation as a leading exhibition space for British and Continental artists during the late Victorian period. What factors contributed to its rise to prominence on the London exhibition circuit? How did it maintain that respected place in light of the diversification of showcases during this period?" "Central to this book is a close examination of the paintings which were shown at the gallery during its fourteen-year run, how they were received by the critics, and which movements were represented."--Jacket.
 

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Sisältö

The Late Victorian PeriodAn Age of Doubt
35
The Temple of Art
42
High Priests and Worshippers at the Temple of Aestheticism
67
Emergence of Women Artists and Audience Temple as Safe Haven
127
A New High Priest from the Continent Jules BastienLepage and the Little Knot of Worshippers
161
Burning Ardour and Tobacco at the Shrines of Bastien Lepage and Whistler
181
New Affiliations Enter the Glasgow Boys
205
The Grosvenor Gallerys Legacy as a Site of Cultural and Ritual Worship
216
Notes
223
Bibliography
247
Index
257
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