PROLOGUE.

I come no more to make you laugh; things now
That bear a weighty and a serious brow,
Sad, high, and working, full of state and woe,
Such noble scenes as draw the eye to flow,
We now present. Those, that can pity, here
May, if they think it well, let fall a tear
r;
The subject will deserve it. Such, as give
Their money out of hope they may believe,
May here find truth too.

Those, that come to see

Only a show or two, and so agree,

The play may pass; if they be still, and willing
I'll undertake, may see away their shilling
Richly in two short hours. Only they,
That come to hear a merry, bawdy play,
A noise of targets; or to see a fellow
In a long motley coat, guarded with yellow,'
Will be deceiv'd: for, gentle hearers, know,
To rank our chosen truth with such a show
As fool and fight is, beside forfeiting

Our own brains, and the opinion that we bring,
(To make that only true we now intend.)

Will leave us never an understanding friend.

Therefore, for goodness' sake, and as you are known
The first and happiest hearers of the town,
Be sad, as we would make ye: Think, ye see
The very persons of our noble story,

As they were living; think, you see them great,
And follow'd with the general throng, and sweat,
Of thousand friends; then, in a moment, see
How soon this mightiness meets misery!
And, if you can be merry then, I'll say,
A man may weep upon his wedding day.

[1] Alluding to the fools and buffoons, introduced in the plays a little before our author's time: and of whom he has left us a small taste in his own. THEOBALD [2] This is not the only passage in which Shakespeare has discovered his conviction of the impropriety of battles represented on the stage. He knew that five or six men with swords, gave a very unsatisfactory idea of an army, and therefore, without much care to excuse his former practice, he allows that a theatrical fight would destroy all opinion of truth, and leave him never an understanding friend. Magnis ingeniis et multa nihil ominus habituris simplex convedit erroris confessio. Yet I know not whether the coronation shown in this play may not be liable to all that can be objected against a battle JOHNSON.

PERSONS REPRESENTED.

King HENRY the Eighth.

Cardinal WOLSEY. Cardinal CAMPEIUS.

CAPUCIUS, ambassador from the emperor Charles V.
CRANMER, archbishop of Canterbury.

Duke of NORFOLK. Duke of BUCKINGHAM.

Duke of SUFFOLK. Earl of SURREY.

Lord Chamberlain.

Lord Chancellor.

GARDINER, bishop of Winchester.

Bishop of LINCOLN. Lord ABERGAVENNY.
Lord SANDS.

Sir HENRY GUILDFORD. Sir THOMAS LOVELL.
Sir ANTHONY Denny. Sir NICHOLAS Vaux.
Secretaries to Wolsey.

CROMWELL, servant to Wolsey.

GRIFFITH, gentleman-usher to queen Katharine.
Three other Gentlemen.

Doctor BUTTS, physician to the king.

Garter king at arms.

Surveyor to the duke of Buckingham.

BRANDON, and a Serjeant at Arms.

Door-keeper of the council-chamber. Porter, and his

Queen KATHARINE, wife to king Henry, afterwards divorced.

ANNE BULLEN, her maid of honour, afterwards queen.
An old Lady, friend to Anne Bullen.

PATIENCE, woman to queen Katharine.

Several Lords and Ladies in the dumb shows; women at tending upon the queen; Spirits, which appear to her; Scribes, Officers, Guards, and other Attendants.

SCENE, chiefly in London and Westminster; once, at Kimbolton.