Haydn: The 'Paris' SymphoniesCambridge University Press, 24.9.1998 - 124 sivua Haydn's Symphonies Nos. 82-7 are seminal works in Haydn's output and mark a new level of compositional attainment, launching the important cycle of mature Haydn symphonies written for an international audience. Three chapters of the book deal with the reception of Haydn's symphonies in Paris, documenting the extent to which they dominated the repertoire of important public concert series. The aesthetic basis of Haydn's reception in Paris in the 1780s is considered in discussions of the notions of 'popular' and 'learned' taste and such notions inform the commentaries on the symphonies themselves. Thus as well as discussing technical features of Symphonies Nos. 82-7, broader concerns include the relationship between orchestral splendour and eighteenth-century notions of beauty; the relationship between genius, originality and convention; irony and humour; and the updating of popular orchestral taste. |
Sisältö
Introduction | 1 |
Haydns music and the Concert spiritual | 5 |
Les deux Stabats | 9 |
Hegemony and genius | 13 |
The apogee of the Haydn symphony at the Concert spirituel 178890 | 20 |
Popular taste | 26 |
Learned taste | 34 |
Splendour and beauty Symphonies Nos 82 and 86 | 45 |
Convention and originality Symphony No 85 | 69 |
Irony and humour Symphony No 83 | 81 |
The refinement of popular taste Symphonies Nos 84 and 87 | 89 |
Notes | 100 |
| 117 | |
| 122 | |
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
April Artaria articulation beautiful Brenet cadence figure cadenza Capriccio century character characteristic chromatic Classical Coda composers Comte d'Ogny Concert des amateurs Concert spirituel conventional Development section dynamic eighteenth eighteenth-century elaboration Eszterháza Exposition F major festive four bars fourth movements French G minor genius genre Gros Gros's Haimo harmonic Haydn at Eszterháza Haydn's Farewell Haydn's mature Haydn's music Haydn's Stabat Mater Haydn's symphonies Histoire du Concert instance instrumental music Joseph Haydn Keyboard La Symphonie learned taste Loge Olympique London Mannheim material melody ment Mercure de France minuets movement of Symphony Mozart oboe orchestral Paris pedal point Pergolesi's phonies phrase piano popular taste Quartets Querelle des Bouffons Recapitulation reprise restatement retransition Rosen Second Group second movement simplicity Sisman solo sonata sonata-form movements splendour Stabat Mater Sterkel structure Sturm und Drang style submediant symphonic repertoire symphonie concertante symphonies performed texture thematic tion Toeschi tonal trans transition Trio virtuoso vocal music