The Major Critics: The Development of English Literary CriticismCharles Shiveley Holmes Knopf, 1957 - 313 sivua |
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Tulokset 1 - 3 kokonaismäärästä 38
Sivu 69
... French , and we , never almost fail of . Lastly , even the very rhyme itself the Italian cannot put in the last syllable , by the French named the " masculine rhyme , " but still in the next to the last , which the French call the ...
... French , and we , never almost fail of . Lastly , even the very rhyme itself the Italian cannot put in the last syllable , by the French named the " masculine rhyme , " but still in the next to the last , which the French call the ...
Sivu 118
... French poets are often forced upon absurdities ; for if the act be- gins in a chamber , all the persons in the play must have some business or other to come thither , or else they are not to be shown that act ; and sometimes their ...
... French poets are often forced upon absurdities ; for if the act be- gins in a chamber , all the persons in the play must have some business or other to come thither , or else they are not to be shown that act ; and sometimes their ...
Sivu 293
... French language the critical method or habit of the French ; we only conclude ( we are such unconscious people ) that the French are " more critical " than we , and sometimes even plume ourselves a little with the fact , as if the ...
... French language the critical method or habit of the French ; we only conclude ( we are such unconscious people ) that the French are " more critical " than we , and sometimes even plume ourselves a little with the fact , as if the ...
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action Ancients Aristotle artistic beauty Ben Jonson Besant blank verse character Charles Adderley cism Coleridge Comedy composition creative Crites criticism delight Donne doth drama Dryden emotion English Epic Epic poetry Eugenius Euripides excellent expression feelings fiction French French Revolution genius Goethe Gorboduc hath Homer honour human ideas imagination imitation incidents Jonson judge judgment kind knowledge language learning Lisideius literary literature living Lycidas mean ment metaphysical metaphysical poets metre mind moral nature never novel object observed Paradise Lost passions perfection perhaps persons philosopher play pleasure plot poem Poesy poet poet's poetic poetry Polygnotus Pope practical praise produced prose reader reason rhyme rules sense Shakespeare Silent Woman Sophocles speak stage style T. S. Eliot taste things thought tion Tragedy true truth unity verse whole words Wordsworth writ write