The Major Critics: The Development of English Literary CriticismCharles Shiveley Holmes Knopf, 1957 - 313 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 38
Sivu 26
... known are known only to a few , and yet give pleasure to all . 9. It clearly follows that the poet or “ maker ” should be the maker of plots rather than of verses ; since he is a poet because he imitates , and what he imitates are ...
... known are known only to a few , and yet give pleasure to all . 9. It clearly follows that the poet or “ maker ” should be the maker of plots rather than of verses ; since he is a poet because he imitates , and what he imitates are ...
Sivu 28
... known- or it may be necessary that the recognition should be on both sides . Thus Iphigenia is revealed to Orestes by the sending of the letter ; but another act of recognition is required to make Orestes known to Iphigenia . 6. Two ...
... known- or it may be necessary that the recognition should be on both sides . Thus Iphigenia is revealed to Orestes by the sending of the letter ; but another act of recognition is required to make Orestes known to Iphigenia . 6. Two ...
Sivu 256
... known and thought in the world , and thus to establish a current of fresh and true ideas . By the very nature of things , as England is not all the world , much of the best that is known and thought in the world cannot be of English ...
... known and thought in the world , and thus to establish a current of fresh and true ideas . By the very nature of things , as England is not all the world , much of the best that is known and thought in the world cannot be of English ...
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action Ancients Aristotle artistic beauty Ben Jonson Besant blank verse character Charles Adderley cism Coleridge Comedy composition creative Crites criticism delight Donne doth drama Dryden emotion English Epic Epic poetry Eugenius Euripides excellent expression feelings fiction French French Revolution genius Goethe Gorboduc hath Homer honour human ideas imagination imitation incidents Jonson judge judgment kind knowledge language learning Lisideius literary literature living Lycidas mean ment metaphysical metaphysical poets metre mind moral nature never novel object observed Paradise Lost passions perfection perhaps persons philosopher play pleasure plot poem Poesy poet poet's poetic poetry Polygnotus Pope practical praise produced prose reader reason rhyme rules sense Shakespeare Silent Woman Sophocles speak stage style T. S. Eliot taste things thought tion Tragedy true truth unity verse whole words Wordsworth writ write