The Major Critics: The Development of English Literary CriticismCharles Shiveley Holmes Knopf, 1957 - 313 sivua |
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Sivu 17
... manner in which each of these objects may be imitated . For the medium being the same , and the objects the same , the poet may imitate by narration — in which case he can either take another personality as Homer does , or speak in his ...
... manner in which each of these objects may be imitated . For the medium being the same , and the objects the same , the poet may imitate by narration — in which case he can either take another personality as Homer does , or speak in his ...
Sivu 175
... manner mention that which seems to deserve censure ; for what Englishman can take delight in transcribing passages ... manners . The man and woman who act and suffer are in a state which no other man or woman can ever know . The reader ...
... manner mention that which seems to deserve censure ; for what Englishman can take delight in transcribing passages ... manners . The man and woman who act and suffer are in a state which no other man or woman can ever know . The reader ...
Sivu 264
... manner of that poetry , and of all other poetry which is akin to it in quality . Only one thing we may add as to the substance and matter of poetry , guiding ourselves by Aristotle's pro- found observation that the superiority of poetry ...
... manner of that poetry , and of all other poetry which is akin to it in quality . Only one thing we may add as to the substance and matter of poetry , guiding ourselves by Aristotle's pro- found observation that the superiority of poetry ...
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action Ancients Aristotle artistic beauty Ben Jonson Besant blank verse character Charles Adderley cism Coleridge Comedy composition creative Crites criticism delight Donne doth drama Dryden emotion English Epic Epic poetry Eugenius Euripides excellent expression feelings fiction French French Revolution genius Goethe Gorboduc hath Homer honour human ideas imagination imitation incidents Jonson judge judgment kind knowledge language learning Lisideius literary literature living Lycidas mean ment metaphysical metaphysical poets metre mind moral nature never novel object observed Paradise Lost passions perfection perhaps persons philosopher play pleasure plot poem Poesy poet poet's poetic poetry Polygnotus Pope practical praise produced prose reader reason rhyme rules sense Shakespeare Silent Woman Sophocles speak stage style T. S. Eliot taste things thought tion Tragedy true truth unity verse whole words Wordsworth writ write