The Major Critics: The Development of English Literary CriticismCharles Shiveley Holmes Knopf, 1957 - 313 sivua |
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Sivu 21
... Plot is the imitation of the action : -for by plot I here mean the arrangement of the incidents . By Character I mean that in virtue of which we ascribe certain qualities to the agents . Thought is required wherever a statement is ...
... Plot is the imitation of the action : -for by plot I here mean the arrangement of the incidents . By Character I mean that in virtue of which we ascribe certain qualities to the agents . Thought is required wherever a statement is ...
Sivu 22
... plot . 14. A further proof is , that novices in the art attain to finish of diction and precision of portraiture before they can construct the plot . It is the same with almost all the early poets . - The Plot , then , is the first ...
... plot . 14. A further proof is , that novices in the art attain to finish of diction and precision of portraiture before they can construct the plot . It is the same with almost all the early poets . - The Plot , then , is the first ...
Sivu 28
... Plot - Reversal of the Situa- tion and Recognition - turn upon surprises . A third part is the Tragic Incident . The Tragic Incident is a destruc- tive or painful action , such as death on the stage , bodily agony , wounds , and the ...
... Plot - Reversal of the Situa- tion and Recognition - turn upon surprises . A third part is the Tragic Incident . The Tragic Incident is a destruc- tive or painful action , such as death on the stage , bodily agony , wounds , and the ...
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action Ancients Aristotle artistic beauty Ben Jonson Besant blank verse character Charles Adderley cism Coleridge Comedy composition creative Crites criticism delight Donne doth drama Dryden emotion English Epic Epic poetry Eugenius Euripides excellent expression feelings fiction French French Revolution genius Goethe Gorboduc hath Homer honour human ideas imagination imitation incidents Jonson judge judgment kind knowledge language learning Lisideius literary literature living Lycidas mean ment metaphysical metaphysical poets metre mind moral nature never novel object observed Paradise Lost passions perfection perhaps persons philosopher play pleasure plot poem Poesy poet poet's poetic poetry Polygnotus Pope practical praise produced prose reader reason rhyme rules sense Shakespeare Silent Woman Sophocles speak stage style T. S. Eliot taste things thought tion Tragedy true truth unity verse whole words Wordsworth writ write