The Major Critics: The Development of English Literary CriticismCharles Shiveley Holmes Knopf, 1957 - 313 sivua |
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Sivu 5
... principles of tragedy and the epic set the pattern for Renaissance and eighteenth - century interest in the genres ( in the legitimacy of tragi - comedy , for example ) ; and his insistence on the principle of unity of action in the ...
... principles of tragedy and the epic set the pattern for Renaissance and eighteenth - century interest in the genres ( in the legitimacy of tragi - comedy , for example ) ; and his insistence on the principle of unity of action in the ...
Sivu 6
... principles to bear on problems of literary evaluation . They were all con- scious of their classical heritage , valuing the literary and critical achievement of Greece and Rome as the author- itative source of literary culture . They ...
... principles to bear on problems of literary evaluation . They were all con- scious of their classical heritage , valuing the literary and critical achievement of Greece and Rome as the author- itative source of literary culture . They ...
Sivu 23
... principles being established , let us now discuss the proper structure of the Plot , since this is the first and most important part of Tragedy . 2. Now , according to our definition , Tragedy is an imitation of an action that is ...
... principles being established , let us now discuss the proper structure of the Plot , since this is the first and most important part of Tragedy . 2. Now , according to our definition , Tragedy is an imitation of an action that is ...
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action Ancients Aristotle artistic beauty Ben Jonson Besant blank verse character Charles Adderley cism Coleridge Comedy composition creative Crites criticism delight Donne doth drama Dryden emotion English Epic Epic poetry Eugenius Euripides excellent expression feelings fiction French French Revolution genius Goethe Gorboduc hath Homer honour human ideas imagination imitation incidents Jonson judge judgment kind knowledge language learning Lisideius literary literature living Lycidas mean ment metaphysical metaphysical poets metre mind moral nature never novel object observed Paradise Lost passions perfection perhaps persons philosopher play pleasure plot poem Poesy poet poet's poetic poetry Polygnotus Pope practical praise produced prose reader reason rhyme rules sense Shakespeare Silent Woman Sophocles speak stage style T. S. Eliot taste things thought tion Tragedy true truth unity verse whole words Wordsworth writ write