The Major Critics: The Development of English Literary CriticismCharles Shiveley Holmes Knopf, 1957 - 313 sivua |
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Sivu 35
... produced by speech , the subdivisions being― proof and refutation ; the excitation of the feelings , such as pity , fear , anger , and the like ; the suggestion of im- portance or its opposite . 3. Now , it is evident that the dramatic ...
... produced by speech , the subdivisions being― proof and refutation ; the excitation of the feelings , such as pity , fear , anger , and the like ; the suggestion of im- portance or its opposite . 3. Now , it is evident that the dramatic ...
Sivu 195
... produced by real events , yet ( especially in those parts of the general sympathy which are pleasing and delightful ) do more nearly resem- ble the passions produced by real events , than anything which , from the motions of their own ...
... produced by real events , yet ( especially in those parts of the general sympathy which are pleasing and delightful ) do more nearly resem- ble the passions produced by real events , than anything which , from the motions of their own ...
Sivu 205
... produced , and does itself actually exist in the mind . In this mood success- ful composition generally begins , and in a mood similar to this it is carried on ; but the emotion , of whatever kind , and in whatever degree , from various ...
... produced , and does itself actually exist in the mind . In this mood success- ful composition generally begins , and in a mood similar to this it is carried on ; but the emotion , of whatever kind , and in whatever degree , from various ...
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action Ancients Aristotle artistic beauty Ben Jonson Besant blank verse character Charles Adderley cism Coleridge Comedy composition creative Crites criticism delight Donne doth drama Dryden emotion English Epic Epic poetry Eugenius Euripides excellent expression feelings fiction French French Revolution genius Goethe Gorboduc hath Homer honour human ideas imagination imitation incidents Jonson judge judgment kind knowledge language learning Lisideius literary literature living Lycidas mean ment metaphysical metaphysical poets metre mind moral nature never novel object observed Paradise Lost passions perfection perhaps persons philosopher play pleasure plot poem Poesy poet poet's poetic poetry Polygnotus Pope practical praise produced prose reader reason rhyme rules sense Shakespeare Silent Woman Sophocles speak stage style T. S. Eliot taste things thought tion Tragedy true truth unity verse whole words Wordsworth writ write