The Major Critics: The Development of English Literary CriticismCharles Shiveley Holmes Knopf, 1957 - 313 sivua |
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Sivu 37
... style is to be clear without being mean . The clearest style is that which uses only current or proper words ; at the same time it is mean : -witness the poetry of Cleophon and of Sthenelus . That diction , on the other hand , is lofty ...
... style is to be clear without being mean . The clearest style is that which uses only current or proper words ; at the same time it is mean : -witness the poetry of Cleophon and of Sthenelus . That diction , on the other hand , is lofty ...
Sivu 190
... style , in order , among other reasons , that he may not censure me for not having performed what I never attempted . The Reader will find that personifications of abstract ideas rarely occur in these volumes ; and are utterly rejected ...
... style , in order , among other reasons , that he may not censure me for not having performed what I never attempted . The Reader will find that personifications of abstract ideas rarely occur in these volumes ; and are utterly rejected ...
Sivu 264
... style and manner of that poetry , and of all other poetry which is akin to it in quality . Only one thing we may add as to the substance and matter of poetry , guiding ourselves by Aristotle's pro- found observation that the superiority ...
... style and manner of that poetry , and of all other poetry which is akin to it in quality . Only one thing we may add as to the substance and matter of poetry , guiding ourselves by Aristotle's pro- found observation that the superiority ...
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action Ancients Aristotle artistic beauty Ben Jonson Besant blank verse character Charles Adderley cism Coleridge Comedy composition creative Crites criticism delight Donne doth drama Dryden emotion English Epic Epic poetry Eugenius Euripides excellent expression feelings fiction French French Revolution genius Goethe Gorboduc hath Homer honour human ideas imagination imitation incidents Jonson judge judgment kind knowledge language learning Lisideius literary literature living Lycidas mean ment metaphysical metaphysical poets metre mind moral nature never novel object observed Paradise Lost passions perfection perhaps persons philosopher play pleasure plot poem Poesy poet poet's poetic poetry Polygnotus Pope practical praise produced prose reader reason rhyme rules sense Shakespeare Silent Woman Sophocles speak stage style T. S. Eliot taste things thought tion Tragedy true truth unity verse whole words Wordsworth writ write