The Major Critics: The Development of English Literary CriticismCharles Shiveley Holmes Knopf, 1957 - 313 sivua |
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Tulokset 1 - 3 kokonaismäärästä 47
Sivu 23
... whole that is wanting in magnitude . 3. A whole is that which has a beginning , a middle , and an end . A beginning is that which does not itself follow anything by causal necessity , but after which something naturally is or comes to ...
... whole that is wanting in magnitude . 3. A whole is that which has a beginning , a middle , and an end . A beginning is that which does not itself follow anything by causal necessity , but after which something naturally is or comes to ...
Sivu 25
... whole , the structural union of the parts being such that , if any one of them is displaced or removed , the whole will be disjointed and disturbed . For a thing whose presence or absence makes no visible difference , is not an organic ...
... whole , the structural union of the parts being such that , if any one of them is displaced or removed , the whole will be disjointed and disturbed . For a thing whose presence or absence makes no visible difference , is not an organic ...
Sivu 227
... whole ? To which not only the French critics , but even his own English admirers , say [ yes ] . Or is the form equally admirable with the matter , the judgment of the great poet not less deserving of our wonder than his genius ? Or to ...
... whole ? To which not only the French critics , but even his own English admirers , say [ yes ] . Or is the form equally admirable with the matter , the judgment of the great poet not less deserving of our wonder than his genius ? Or to ...
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action Ancients Aristotle artistic beauty Ben Jonson Besant blank verse character Charles Adderley cism Coleridge Comedy composition creative Crites criticism delight Donne doth drama Dryden emotion English Epic Epic poetry Eugenius Euripides excellent expression feelings fiction French French Revolution genius Goethe Gorboduc hath Homer honour human ideas imagination imitation incidents Jonson judge judgment kind knowledge language learning Lisideius literary literature living Lycidas mean ment metaphysical metaphysical poets metre mind moral nature never novel object observed Paradise Lost passions perfection perhaps persons philosopher play pleasure plot poem Poesy poet poet's poetic poetry Polygnotus Pope practical praise produced prose reader reason rhyme rules sense Shakespeare Silent Woman Sophocles speak stage style T. S. Eliot taste things thought tion Tragedy true truth unity verse whole words Wordsworth writ write