Dramatic EssaysJ.M. Dent & sons, Limited, 1928 - 299 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 25
Sivu 66
... difference of Tragedy and Comedy , and of Farce itself , there can be no determination but by the taste , nor in the manner of their com- posure . We shall see him now as great a critic as he was a poet ; and the reason why he excelled ...
... difference of Tragedy and Comedy , and of Farce itself , there can be no determination but by the taste , nor in the manner of their com- posure . We shall see him now as great a critic as he was a poet ; and the reason why he excelled ...
Sivu 67
... difference betwixt comedy , tragedy , and farce , but what is only made by the people's taste , which distinguishes one of them from the other , that is so manifest an error , that I need not lose time to contradict it . Were there ...
... difference betwixt comedy , tragedy , and farce , but what is only made by the people's taste , which distinguishes one of them from the other , that is so manifest an error , that I need not lose time to contradict it . Were there ...
Sivu 133
... difference between Shakspeare and Fletcher in their plotting seems to be this ; that Shakspeare generally moves more terror and Fletcher more compassion : for the first had a more masculine , a bolder and more fiery genius ; the second ...
... difference between Shakspeare and Fletcher in their plotting seems to be this ; that Shakspeare generally moves more terror and Fletcher more compassion : for the first had a more masculine , a bolder and more fiery genius ; the second ...
Sisältö
EPISTLE DEDICATORY TO THE RIGHT HONOURABLE CHARLES Lord | 1 |
A DEFENCE OF AN ESSAY OF DRAMATIC POESY | 60 |
ON COMEDY Farce and TRAGEDY | 77 |
14 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
acknowledge action admiration Æneas Æneid Æneis amongst ancients argument Aristotle audience Augustus beauties Ben Jonson better betwixt blank verse Boccace Cæsar Catiline character Chaucer comedy commend compass confess Crites critics defend Dido discourse Dramatic Poesy Dryden Duke of Lerma endeavoured English epic Essay Eugenius Euripides excellent expression fancy father faults favour Fletcher French genius Georgics give Grecian Greek hero Homer honour Horace humour imagination imitation invention Italian JOHN DRYDEN Jonson judge judgment Julius Cæsar kind language Latin least Lisideius lived Lord Lordship Lucretius manners modern nature never noble numbers observed opinion Ovid passions perfection persons Pindaric pleased plot poem poet preface prose reader reason rhyme Roman satire scene Segrais Sejanus sense serious plays Shakspeare Silent Woman speak stage suppose Theocritus things thought Tis true tragedy translation Turnus Virgil virtue words writ write