The Great Gatsby and Fitzgerald's World of IdeasUniversity of Alabama Press, 1997 - 232 sivua Berman examines the intellectual and cultural milieu in which The Great Gatsby was created. The Great Gatsby and Fitzgerald's World of Ideas focuses on F. Scott Fitzgerald and the prevailing ideas and values that permeated American society in the late teens and early twenties, providing a vivid portrait of the intellectual and cultural milieu in which The Great Gatsby was produced. This new and original reading of Gatsby discloses Fitzgerald's remarkable awareness of the issues of his time and his debt to such philosophers and critics as William James, Josiah Royce, George Santayana, John Dewey, Walter Lippman, H. L. Mencken, and Edmund Wilson. Ronald Berman's fresh approach considers the meaning of various ideas important to the novel: for example, those moral qualities governing both social and individual life. Berman's reading of the text reveals extraordinary emphases on matters that could productively be described as philosophical -- the nature of friendship, love, and the good life. But the text of the novel has many echoes, and the same concern with moral issues -- especially those issues affecting democratic life -- can be found in a number of other texts of the first quarter of the century. Vigorously debated throughout Fitzgerald's own lifetime, these texts shed a completely new light on the idealism of The Great Gatsby and on the penetrating view it has of life in a new form of American democracy. A noted Fitzgerald scholar, Berman makes it clear that accepted interpretations of The Great Gatsby and of Fitzgerald's work in general must be changed. Berman demonstrates that Fitzgerald wrote within a vast dialectic, relating the ideas of the twenties to those of the oldAmerica described in so many of his works. Gatsby, Nick Carraway, and the other characters of Fitzgerald's greatest novel all have to consider not only their relationship to the present but also their distance from what was once a highly meaningful past. Berman has written a book to earn the praise of scholars and interested intelligent readers. I have high respect for Berman's work because I learn from it.... An original and strong contribution to the entire scholarship on American literature and will remain a lovely example of what social history can do for literature. -- Milton R. Stern University of Connecticut Berman succeeds in throwing a fresh light on a masterpiece. -- Scott Donaldson College of William and Mary A thoughtful and penetrating appraisal of the morals, ideas, and ideals of the pre-World War I America that became the subjects of national debate prior to Fitzgerald's composition of The Great Gatsby. Berman succeeds brilliantly in opening to the reader a new door to understanding Fitzgerald's great novel. In a lucid, graceful, readable book, Berman proves that fine scholarship can always uncover a new layer of meaning enabling us to enter the world of the novel as if for the first time. No reader could ask for more. -- Ruth Prigozy Hofstra University |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 20
Sivu 14
... cause we have been guided by figures in both foreground and background of the story . But Gatsby moves ever closer to the center . Because Fitzgerald is so skilled , the narrative seems like a reasonably disorderly recollection ...
... cause we have been guided by figures in both foreground and background of the story . But Gatsby moves ever closer to the center . Because Fitzgerald is so skilled , the narrative seems like a reasonably disorderly recollection ...
Sivu 19
... cause of the family's rise to prosperity . His brief biogra- phy is the first in The Great Gatsby's spectrum of Ameri- can lives . We will get a great deal of information from these lives , and they will offer thematic parallels to the ...
... cause of the family's rise to prosperity . His brief biogra- phy is the first in The Great Gatsby's spectrum of Ameri- can lives . We will get a great deal of information from these lives , and they will offer thematic parallels to the ...
Sivu 158
... causes are lost causes . It is , he says , universal that we should devote ourselves to ideas that cannot be objecti- fied . In fact : " every cause worthy ... of lifelong service ... shows sooner or later that it is a cause which we ...
... causes are lost causes . It is , he says , universal that we should devote ourselves to ideas that cannot be objecti- fied . In fact : " every cause worthy ... of lifelong service ... shows sooner or later that it is a cause which we ...
Sisältö
Old Values and New Times | 18 |
Demos | 44 |
Community and Crowd | 68 |
Tekijänoikeudet | |
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American appears become begins believe Buchanan called Cambridge century chapter character civilization comes connection consciousness critic crowd culture Daisy dance deal debate democracy described Dewey dreams early echoes Edited energy especially essay experience expression fact feeling fiction figure Gatsby Gatsby's George gives human idea ideal identity imagination important individual interesting issue John Jordan kind knows language later Lippmann literary lives look magazines mass matter means Mencken mind moral Myrtle narrative natural never Nick novel Opinion particular past Philosophy phrase political Public reader reason relationship reminds Royce Santayana scene Scott Fitzgerald seems sense sexual social society story style telling things thought tion turn twenties understands University Press values vitality Walter William James Wilson Writings York