Paula Rego's Map of Memory: National and Sexual PoliticsRoutledge, 23.10.2017 - 252 sivua This title was first published in 2003. The artist Paula Rego was born in Portugal but has lived in Britain since 1951. In this well-illustrated book, Maria Manuel Lisboa explores the background behind Rego's decision to leave the land of her birth and, in doing so, provides fascinating insights into Rego's persistent portrayal of uneasy and predatory relations between men and women. Looking back over the national, religious and sexual politics of Portugal during Rego's childhood under the shadow of the Salazar dictatorship and subsequently, Lisboa locates the origins of the artist's preoccupation with power and powerlessness, violence and abuse within the political and ideological status quo of Portugal, past and present. The author's clear and thoughtful analysis offers an ambitious contribution to the study of patriarchy, Catholicism and Fascism and their expression in the work of this artist. |
Kirjan sisältä
Tulokset 1 - 5 kokonaismäärästä 77
Sivu
... Women, 1997, Pastel on paper mounted on aluminium, 170 × 130 cm, collection of the artist. 35 The Cell, 1997, Pastel on paper mounted on aluminium, 120 × 160 cm, Museu de Arte Moderna, Casa Serrales, Porto. 36 Johannes Vermeer, A Lady ...
... Women, 1997, Pastel on paper mounted on aluminium, 170 × 130 cm, collection of the artist. 35 The Cell, 1997, Pastel on paper mounted on aluminium, 120 × 160 cm, Museu de Arte Moderna, Casa Serrales, Porto. 36 Johannes Vermeer, A Lady ...
Sivu
... women depend upon their men for social significance, status, visibility and even subsistence, it follows that, on the part of the woman, the imperatives of need (to be financially kept) and want (love, desire) become at best impossible ...
... women depend upon their men for social significance, status, visibility and even subsistence, it follows that, on the part of the woman, the imperatives of need (to be financially kept) and want (love, desire) become at best impossible ...
Sivu
... woman is not concerned with history' (Guitton, 1951, 221): 'the truth is that woman is nearer to the human than man, so easily estranged from what is human ... One of the missions of woman, after that of generation, is to reconcile man ...
... woman is not concerned with history' (Guitton, 1951, 221): 'the truth is that woman is nearer to the human than man, so easily estranged from what is human ... One of the missions of woman, after that of generation, is to reconcile man ...
Sivu
... women do not ... Elite men sought to control women's independence as well as the independence of the working class in imagining the world as a patriarchal family with themselves at the head. (Lowder Newton, 1989, 161) Male monopoly over ...
... women do not ... Elite men sought to control women's independence as well as the independence of the working class in imagining the world as a patriarchal family with themselves at the head. (Lowder Newton, 1989, 161) Male monopoly over ...
Sivu
... women's acquiescence to fascism in various European countries in the 1930s and 1940s (Macciocchi, 1979). Her insights bear strong relevance to an understanding of the social order that Paula Rego had to contend with and on which she ...
... women's acquiescence to fascism in various European countries in the 1930s and 1940s (Macciocchi, 1979). Her insights bear strong relevance to an understanding of the social order that Paula Rego had to contend with and on which she ...
Sisältö
1 | |
the late 1980s | |
mother and land revisited in the 1990s | |
the abortion pastels | |
let me count the ways I love | |
Index of images | |
Muita painoksia - Näytä kaikki
Paula Rego's Map of Memory: National and Sexual Politics Maria Manuel Lisboa Rajoitettu esikatselu - 2003 |
Paula Rego's Map of Memory: National and Sexual Politics Maria Manuel Lisboa Esikatselu ei käytettävissä - 2017 |
Yleiset termit ja lausekkeet
abortion Acrylic on paper Amélia angel Annunciation appears argue artist Becker becomes birth Catholic century child colonial colour context death depicted discussed Dog series dress Eça de Queirós Eça's echoes emphasises Estado Novo example fascism Father Amaro female figure 50 flamenco foetus François Boucher Frida Kahlo Gallery of Art gaze gender Girl and Dog godmother hand incest interpretation Jean-Auguste-Dominique Ingres João Eduardo John McEwen Looking Macciocchi Maids male masculine maternal McEwen moral mother motherland mounted on aluminium murder National Gallery novel nude Oil on canvas painting paper mounted paper on canvas Pastel on paper patriarchal Paula Rego Pierre-Auguste Renoir Policeman's Daughter political Portugal Portugal's Portuguese possible pregnancy priest private collection protagonists R. B. Kitaj Red Monkey reference Rego's Rego's picture religious represents Salazar sexual Sister plate skirt status symbol theme Totó traditional triptych Untitled f Untitled sketch viewer visual woman