Literary Criticism of John DrydenUniversity of Nebraska Press, 1967 - 174 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 20
Sivu 21
... Corneille's third Discours . 30. " C'est bien employ [ er ] un temps si court . " The French poet is Corneille . 31. Also based on Corneille's third Discours . t she has made a relation of what was done at OF DRAMATIC POESY 21.
... Corneille's third Discours . 30. " C'est bien employ [ er ] un temps si court . " The French poet is Corneille . 31. Also based on Corneille's third Discours . t she has made a relation of what was done at OF DRAMATIC POESY 21.
Sivu 38
... Corneille himself , their arch - poet , what has he pro- duced except The Liar , and you know how it was cried up in France ; but when it came upon the English stage , though well translated , and that part of Dorant acted to so much ...
... Corneille himself , their arch - poet , what has he pro- duced except The Liar , and you know how it was cried up in France ; but when it came upon the English stage , though well translated , and that part of Dorant acted to so much ...
Sivu 45
... Corneille did , with some flat design which , like an ill riddle , is found out ere it be half proposed ; such plots we can make every way regular , as easily as they ; but whene'er they endeavor to rise to any quick turns and ...
... Corneille did , with some flat design which , like an ill riddle , is found out ere it be half proposed ; such plots we can make every way regular , as easily as they ; but whene'er they endeavor to rise to any quick turns and ...
Sisältö
A Defence of An Essay of Dramatic Poesy 1668 | 70 |
Preface to An Evenings Love 1671 | 90 |
Heads of an Answer to Rymer 1677 | 115 |
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acknowledge action admire allowed already Ancients answer appear argument Aristotle audience beauties beginning better betwixt called cause characters Chaucer comedy compass concernment conclude Corneille criticism defend delight discourse Dryden English equal errors Essay example excellent expression faults Fletcher follow French give given greater greatest Greek Homer humour imagination imitation Jonson judge judgment kind language latter least leave less lines lived manners means move nature never observed occasion opinion passions perfection perhaps persons pity Plautus play pleased plot poem poesy poet poetry practice preface present probability produce proper prove raised reader reason relation represented rest rhyme rule scene sense serious Shakespeare sometimes speak stage story supposed tell things thoughts tragedy translated true verse Virgil virtue whole wholly writ write written