Literary Criticism of John DrydenUniversity of Nebraska Press, 1967 - 174 sivua |
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Tulokset 1 - 3 kokonaismäärästä 58
Sivu x
... English theatrical conventions against critics who advocated the very different practices of the Greek and Roman or of the French neo- classical theater , and to a specific defense of his own innovation within the English tradition ...
... English theatrical conventions against critics who advocated the very different practices of the Greek and Roman or of the French neo- classical theater , and to a specific defense of his own innovation within the English tradition ...
Sivu 3
... English stage , and to justify his own use of rhymed heroic verse in tragedy . English drama had come under attack a few years earlier from a Frenchman , Samuel Sorbière , who charged in his Relation d'un voyage en Angleterre ( 1664 ) ...
... English stage , and to justify his own use of rhymed heroic verse in tragedy . English drama had come under attack a few years earlier from a Frenchman , Samuel Sorbière , who charged in his Relation d'un voyage en Angleterre ( 1664 ) ...
Sivu 171
... English Institute Essays 1949. New York : Columbia University Press , 1950 . Pp . 3-32 . ROTHSTEIN , ERIC . " English Tragic Theory in the Late Seventeenth Cen- tury , " ELH , XXIX ( 1962 ) , 306–323 . SHERWOOD , JOHN C. " Dryden and ...
... English Institute Essays 1949. New York : Columbia University Press , 1950 . Pp . 3-32 . ROTHSTEIN , ERIC . " English Tragic Theory in the Late Seventeenth Cen- tury , " ELH , XXIX ( 1962 ) , 306–323 . SHERWOOD , JOHN C. " Dryden and ...
Sisältö
A Defence of An Essay of Dramatic Poesy 1668 | 70 |
Preface to An Evenings Love 1671 | 90 |
Heads of an Answer to Rymer 1677 | 115 |
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acknowledge action admire allowed already Ancients answer appear argument Aristotle audience beauties beginning better betwixt called cause characters Chaucer comedy compass concernment conclude Corneille criticism defend delight discourse Dryden English equal errors Essay example excellent expression faults Fletcher follow French give given greater greatest Greek Homer humour imagination imitation Jonson judge judgment kind language latter least leave less lines lived manners means move nature never observed occasion opinion passions perfection perhaps persons pity Plautus play pleased plot poem poesy poet poetry practice preface present probability produce proper prove raised reader reason relation represented rest rhyme rule scene sense serious Shakespeare sometimes speak stage story supposed tell things thoughts tragedy translated true verse Virgil virtue whole wholly writ write written