Literary Criticism of John DrydenUniversity of Nebraska Press, 1967 - 174 sivua |
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Tulokset 1 - 3 kokonaismäärästä 42
Sivu x
... argument : he is concerned with justifying his profession as a dramatist , and this commits him to a general defense of English theatrical conventions against critics who advocated the very different practices of the Greek and Roman or ...
... argument : he is concerned with justifying his profession as a dramatist , and this commits him to a general defense of English theatrical conventions against critics who advocated the very different practices of the Greek and Roman or ...
Sivu 68
... argument to the question in hand ; for the dispute was not which way a man may write best , but which is most proper for the subject on which he writes . " First , give me leave , Sir , to remember you that the argument against which ...
... argument to the question in hand ; for the dispute was not which way a man may write best , but which is most proper for the subject on which he writes . " First , give me leave , Sir , to remember you that the argument against which ...
Sivu 84
... argument is indeed no more than a mere fallacy , which will evidently appear when we distinguish place , as it relates to plays , into real and imaginary . The real place is that theater or piece of ground on which the play is acted ...
... argument is indeed no more than a mere fallacy , which will evidently appear when we distinguish place , as it relates to plays , into real and imaginary . The real place is that theater or piece of ground on which the play is acted ...
Sisältö
A Defence of An Essay of Dramatic Poesy 1668 | 70 |
Preface to An Evenings Love 1671 | 90 |
Heads of an Answer to Rymer 1677 | 115 |
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acknowledge action admire allowed already Ancients answer appear argument Aristotle audience beauties beginning better betwixt called cause characters Chaucer comedy compass concernment conclude Corneille criticism defend delight discourse Dryden English equal errors Essay example excellent expression faults Fletcher follow French give given greater greatest Greek Homer humour imagination imitation Jonson judge judgment kind language latter least leave less lines lived manners means move nature never observed occasion opinion passions perfection perhaps persons pity Plautus play pleased plot poem poesy poet poetry practice preface present probability produce proper prove raised reader reason relation represented rest rhyme rule scene sense serious Shakespeare sometimes speak stage story supposed tell things thoughts tragedy translated true verse Virgil virtue whole wholly writ write written