Literary Criticism of John DrydenUniversity of Nebraska Press, 1967 - 174 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 42
Sivu xv
... audience , and it is this commitment which most enriches his criticism of both the past and the present . For , given the assumption that a writer must please his audience , it followed , for Dryden , that writers would have to please ...
... audience , and it is this commitment which most enriches his criticism of both the past and the present . For , given the assumption that a writer must please his audience , it followed , for Dryden , that writers would have to please ...
Sivu 34
... audience , are deceived by confounding them with the other , which are of things antecedent to the play : those are made often in cold blood ( as I may say ) to the audience ; but these are warmed with our concernments , which are ...
... audience , are deceived by confounding them with the other , which are of things antecedent to the play : those are made often in cold blood ( as I may say ) to the audience ; but these are warmed with our concernments , which are ...
Sivu 41
... audience : their speeches being so many declamations , which tire us with the length ; so that instead of persuading us to grieve for their imaginary heroes , we are concerned for our own trouble , as we are in the tedious visits of bad ...
... audience : their speeches being so many declamations , which tire us with the length ; so that instead of persuading us to grieve for their imaginary heroes , we are concerned for our own trouble , as we are in the tedious visits of bad ...
Sisältö
A Defence of An Essay of Dramatic Poesy 1668 | 70 |
Preface to An Evenings Love 1671 | 90 |
Heads of an Answer to Rymer 1677 | 115 |
Tekijänoikeudet | |
2 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
acknowledge action admire allowed already Ancients answer appear argument Aristotle audience beauties beginning better betwixt called cause characters Chaucer comedy compass concernment conclude Corneille criticism defend delight discourse Dryden English equal errors Essay example excellent expression faults Fletcher follow French give given greater greatest Greek Homer humour imagination imitation Jonson judge judgment kind language latter least leave less lines lived manners means move nature never observed occasion opinion passions perfection perhaps persons pity Plautus play pleased plot poem poesy poet poetry practice preface present probability produce proper prove raised reader reason relation represented rest rhyme rule scene sense serious Shakespeare sometimes speak stage story supposed tell things thoughts tragedy translated true verse Virgil virtue whole wholly writ write written