Literary Criticism of John DrydenUniversity of Nebraska Press, 1967 - 174 sivua |
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Tulokset 1 - 3 kokonaismäärästä 48
Sivu 131
... characters of villainy ? I confess I am not of that opinion ; but it is necessary that the hero of the play be not a villain ; that is , the characters which should move our pity ought to have virtuous inclinations , and degrees of ...
... characters of villainy ? I confess I am not of that opinion ; but it is necessary that the hero of the play be not a villain ; that is , the characters which should move our pity ought to have virtuous inclinations , and degrees of ...
Sivu 134
... characters of men , as we have them delivered to us by relation or history ; that is , when a poet has the known character of this or that man before him , he is bound to represent him such , at least not contrary to that which fame has ...
... characters of men , as we have them delivered to us by relation or history ; that is , when a poet has the known character of this or that man before him , he is bound to represent him such , at least not contrary to that which fame has ...
Sivu 135
John Dryden Arthur C. Kirsch. From the manners , the characters of persons are derived ; for indeed the characters are no other than the inclinations , as they appear in the several persons of the poem ; a character being thus defined ...
John Dryden Arthur C. Kirsch. From the manners , the characters of persons are derived ; for indeed the characters are no other than the inclinations , as they appear in the several persons of the poem ; a character being thus defined ...
Sisältö
A Defence of An Essay of Dramatic Poesy 1668 | 70 |
Preface to An Evenings Love 1671 | 90 |
Heads of an Answer to Rymer 1677 | 115 |
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acknowledge action actors admire Aeneid amongst Ancients answer argument Aristotle audience beauties Ben Jonson betwixt blank verse Boccaccio characters Chaucer comedy compass concernment confess Corneille Corneille's Crites criticism defend delight discourse Dramatic Poesy Dryden Duke of Lerma English stage errors Essay Eugenius Euripides excellent fable fancy farther faults French genius give Greek heroic Homer honor Horace humour imagination imitation of nature John Dryden Jonson judge judgment kind language Lisideius lived Maid's Tragedy manners modern move Neander never numbers observed opinion Ovid passions persons pity and terror pleased plot poem poet poet's poetica poetry preface prose prove reader reason represented rhyme ridiculous rule Rymer scene Sejanus Seneca serious plays Shakespeare Shakespeare and Fletcher Silent Woman Sir Robert Howard Sophocles speak supposed Terence theater things thoughts Tis true tragedy translated Troilus and Cressida Virgil virtue wholly words writ write written