Literary Criticism of John DrydenUniversity of Nebraska Press, 1967 - 174 sivua |
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Tulokset 1 - 3 kokonaismäärästä 15
Sivu 13
... compass of a natural day , or as near it as can be contrived ; and the reason of it is obvious to every one , that the time of the feigned action , or fable of the play , should be proportioned as near as can be to the duration of that ...
... compass of a natural day , or as near it as can be contrived ; and the reason of it is obvious to every one , that the time of the feigned action , or fable of the play , should be proportioned as near as can be to the duration of that ...
Sivu 28
... compass . This I can testify , that in all their dramas writ within these last twenty years and upwards , I have not observed any that have extended the time to thirty hours . In the unity of place they are full as scrupulous , for many ...
... compass . This I can testify , that in all their dramas writ within these last twenty years and upwards , I have not observed any that have extended the time to thirty hours . In the unity of place they are full as scrupulous , for many ...
Sivu 65
... compass than you would a philosopher . This is indeed ' to cultivate the sterner muses . 91 You would have him follow 90. " quidlibet audendi " ( Horace , Ars poetica , 1. 10 ) . 91. " Musas colere severiores " ( Martial , Epigrams , IX ...
... compass than you would a philosopher . This is indeed ' to cultivate the sterner muses . 91 You would have him follow 90. " quidlibet audendi " ( Horace , Ars poetica , 1. 10 ) . 91. " Musas colere severiores " ( Martial , Epigrams , IX ...
Sisältö
A Defence of An Essay of Dramatic Poesy 1668 | 70 |
Preface to An Evenings Love 1671 | 90 |
Heads of an Answer to Rymer 1677 | 115 |
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acknowledge action admire allowed already Ancients answer appear argument Aristotle audience beauties beginning better betwixt called cause characters Chaucer comedy compass concernment conclude Corneille criticism defend delight discourse Dryden English equal errors Essay example excellent expression faults Fletcher follow French give given greater greatest Greek Homer humour imagination imitation Jonson judge judgment kind language latter least leave less lines lived manners means move nature never observed occasion opinion passions perfection perhaps persons pity Plautus play pleased plot poem poesy poet poetry practice preface present probability produce proper prove raised reader reason relation represented rest rhyme rule scene sense serious Shakespeare sometimes speak stage story supposed tell things thoughts tragedy translated true verse Virgil virtue whole wholly writ write written