Literary Criticism of John DrydenUniversity of Nebraska Press, 1967 - 174 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 32
Sivu 42
... discourse , in which he has rather excused our neighbors than commended them ; that is , for aiming only to make one person considerable in their plays . ' Tis very true what he has urged , that one character in all plays , even without ...
... discourse , in which he has rather excused our neighbors than commended them ; that is , for aiming only to make one person considerable in their plays . ' Tis very true what he has urged , that one character in all plays , even without ...
Sivu 44
... discourse that , though we are not altogether so punctual as the French in observing the laws of comedy , yet our errors are so few , and little , and those things wherein we excel them so considerable , that we ought of right to be ...
... discourse that , though we are not altogether so punctual as the French in observing the laws of comedy , yet our errors are so few , and little , and those things wherein we excel them so considerable , that we ought of right to be ...
Sivu 83
... discourse is chiefly to vindicate the honor of our English writers from the censure of those who unjustly prefer the French before them . This I intimate , lest any should think me so exceeding vain as to teach others an art which they ...
... discourse is chiefly to vindicate the honor of our English writers from the censure of those who unjustly prefer the French before them . This I intimate , lest any should think me so exceeding vain as to teach others an art which they ...
Sisältö
A Defence of An Essay of Dramatic Poesy 1668 | 70 |
Preface to An Evenings Love 1671 | 90 |
Heads of an Answer to Rymer 1677 | 115 |
Tekijänoikeudet | |
2 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
acknowledge action admire allowed already Ancients answer appear argument Aristotle audience beauties beginning better betwixt called cause characters Chaucer comedy compass concernment conclude Corneille criticism defend delight discourse Dryden English equal errors Essay example excellent expression faults Fletcher follow French give given greater greatest Greek Homer humour imagination imitation Jonson judge judgment kind language latter least leave less lines lived manners means move nature never observed occasion opinion passions perfection perhaps persons pity Plautus play pleased plot poem poesy poet poetry practice preface present probability produce proper prove raised reader reason relation represented rest rhyme rule scene sense serious Shakespeare sometimes speak stage story supposed tell things thoughts tragedy translated true verse Virgil virtue whole wholly writ write written