Literary Criticism of John DrydenUniversity of Nebraska Press, 1967 - 174 sivua |
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Tulokset 1 - 3 kokonaismäärästä 14
Sivu 57
... imagination ? since the mind of man does naturally tend to , and seek after truth ; and therefore the nearer any thing comes to the imitation of it , the more it pleases . " Thus , you see , your rhyme is uncapable of expressing the ...
... imagination ? since the mind of man does naturally tend to , and seek after truth ; and therefore the nearer any thing comes to the imitation of it , the more it pleases . " Thus , you see , your rhyme is uncapable of expressing the ...
Sivu 84
... imagination of the audience , aided by the words of the poet and painted scenes , may suppose the stage to be sometimes one place , sometimes another , now a garden , or wood , and immediately a camp : which I appeal to every man's ...
... imagination of the audience , aided by the words of the poet and painted scenes , may suppose the stage to be sometimes one place , sometimes another , now a garden , or wood , and immediately a camp : which I appeal to every man's ...
Sivu 85
... imagination being judge of what is represented , will in reason be less shocked with the appearance of two rooms in the same house , or two houses in the same city , than with two distant cities in the same country , or two remote ...
... imagination being judge of what is represented , will in reason be less shocked with the appearance of two rooms in the same house , or two houses in the same city , than with two distant cities in the same country , or two remote ...
Sisältö
A Defence of An Essay of Dramatic Poesy 1668 | 70 |
Preface to An Evenings Love 1671 | 90 |
Heads of an Answer to Rymer 1677 | 115 |
Tekijänoikeudet | |
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acknowledge action admire allowed already Ancients answer appear argument Aristotle audience beauties beginning better betwixt called cause characters Chaucer comedy compass concernment conclude Corneille criticism defend delight discourse Dryden English equal errors Essay example excellent expression faults Fletcher follow French give given greater greatest Greek Homer humour imagination imitation Jonson judge judgment kind language latter least leave less lines lived manners means move nature never observed occasion opinion passions perfection perhaps persons pity Plautus play pleased plot poem poesy poet poetry practice preface present probability produce proper prove raised reader reason relation represented rest rhyme rule scene sense serious Shakespeare sometimes speak stage story supposed tell things thoughts tragedy translated true verse Virgil virtue whole wholly writ write written