Literary Criticism of John DrydenUniversity of Nebraska Press, 1967 - 174 sivua |
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Sivu 134
... manners must be suitable , or agreeing to the persons ; that is , to the age , sex , dignity , and the other general heads of manners : thus , when a poet has given the dignity of a king to one of his persons , in all his actions and ...
... manners must be suitable , or agreeing to the persons ; that is , to the age , sex , dignity , and the other general heads of manners : thus , when a poet has given the dignity of a king to one of his persons , in all his actions and ...
Sivu 135
... manners , I will only add what is necessary here . A character , or that which distinguishes one man from all others ... manners , it will be easy for a reason- able man to judge whether the characters be truly or falsely drawn in a ...
... manners , I will only add what is necessary here . A character , or that which distinguishes one man from all others ... manners , it will be easy for a reason- able man to judge whether the characters be truly or falsely drawn in a ...
Sivu 136
... manners of his persons are generally apparent , and you see their bent and inclin- ations . Fletcher comes far short of him in this , as indeed he does almost in everything : there are but glimmerings of manners in most of his comedies ...
... manners of his persons are generally apparent , and you see their bent and inclin- ations . Fletcher comes far short of him in this , as indeed he does almost in everything : there are but glimmerings of manners in most of his comedies ...
Sisältö
A Defence of An Essay of Dramatic Poesy 1668 | 70 |
Preface to An Evenings Love 1671 | 90 |
Heads of an Answer to Rymer 1677 | 115 |
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acknowledge action admire allowed already Ancients answer appear argument Aristotle audience beauties beginning better betwixt called cause characters Chaucer comedy compass concernment conclude Corneille criticism defend delight discourse Dryden English equal errors Essay example excellent expression faults Fletcher follow French give given greater greatest Greek Homer humour imagination imitation Jonson judge judgment kind language latter least leave less lines lived manners means move nature never observed occasion opinion passions perfection perhaps persons pity Plautus play pleased plot poem poesy poet poetry practice preface present probability produce proper prove raised reader reason relation represented rest rhyme rule scene sense serious Shakespeare sometimes speak stage story supposed tell things thoughts tragedy translated true verse Virgil virtue whole wholly writ write written