Literary Criticism of John DrydenUniversity of Nebraska Press, 1967 - 174 sivua |
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Sivu xiv
... reason , you will gain no more by it in effect than , first , to set up your reason against those authors ; and , secondly , against all those who have admired them . You must prove why that ought not to have pleased , which has pleased ...
... reason , you will gain no more by it in effect than , first , to set up your reason against those authors ; and , secondly , against all those who have admired them . You must prove why that ought not to have pleased , which has pleased ...
Sivu 37
... reason- able to you that you will there find it almost necessary ; so that in the exits of their actors you have a clear account of their purpose and design in the next entrance ( though , if the scene be well wrought , the event will ...
... reason- able to you that you will there find it almost necessary ; so that in the exits of their actors you have a clear account of their purpose and design in the next entrance ( though , if the scene be well wrought , the event will ...
Sivu 85
... reason is already overthrown , which was because both were alike impossible . This is manifestly otherwise : for ' tis proved that a stage may properly represent two rooms or houses ; for the imagination being judge of what is ...
... reason is already overthrown , which was because both were alike impossible . This is manifestly otherwise : for ' tis proved that a stage may properly represent two rooms or houses ; for the imagination being judge of what is ...
Sisältö
A Defence of An Essay of Dramatic Poesy 1668 | 70 |
Preface to An Evenings Love 1671 | 90 |
Heads of an Answer to Rymer 1677 | 115 |
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acknowledge action admire allowed already Ancients answer appear argument Aristotle audience beauties beginning better betwixt called cause characters Chaucer comedy compass concernment conclude Corneille criticism defend delight discourse Dryden English equal errors Essay example excellent expression faults Fletcher follow French give given greater greatest Greek Homer humour imagination imitation Jonson judge judgment kind language latter least leave less lines lived manners means move nature never observed occasion opinion passions perfection perhaps persons pity Plautus play pleased plot poem poesy poet poetry practice preface present probability produce proper prove raised reader reason relation represented rest rhyme rule scene sense serious Shakespeare sometimes speak stage story supposed tell things thoughts tragedy translated true verse Virgil virtue whole wholly writ write written