Literary Criticism of John DrydenUniversity of Nebraska Press, 1967 - 174 sivua |
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Sivu 56
... rhyme as I find in the writings of those who have argued for the other way . First , then , I am of opinion that rhyme is unnatural in a play , because dialogue there is presented as the effect of sudden thought . For a play is the ...
... rhyme as I find in the writings of those who have argued for the other way . First , then , I am of opinion that rhyme is unnatural in a play , because dialogue there is presented as the effect of sudden thought . For a play is the ...
Sivu 59
... rhyme , but all kind of verse in any language un- natural ) shall I , for their vicious affectation , condemn those excellent lines of Fletcher which are written in that kind ? Is there anything in rhyme more constrained than this line ...
... rhyme , but all kind of verse in any language un- natural ) shall I , for their vicious affectation , condemn those excellent lines of Fletcher which are written in that kind ? Is there anything in rhyme more constrained than this line ...
Sivu 60
... rhyme . But you foresaw when you said this that it might be answered : neither does any man speak in blank verse , or in measure without rhyme . Therefore you concluded , that which is nearest nature is still to be preferred . But you ...
... rhyme . But you foresaw when you said this that it might be answered : neither does any man speak in blank verse , or in measure without rhyme . Therefore you concluded , that which is nearest nature is still to be preferred . But you ...
Sisältö
A Defence of An Essay of Dramatic Poesy 1668 | 70 |
Preface to An Evenings Love 1671 | 90 |
Heads of an Answer to Rymer 1677 | 115 |
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acknowledge action admire allowed already Ancients answer appear argument Aristotle audience beauties beginning better betwixt called cause characters Chaucer comedy compass concernment conclude Corneille criticism defend delight discourse Dryden English equal errors Essay example excellent expression faults Fletcher follow French give given greater greatest Greek Homer humour imagination imitation Jonson judge judgment kind language latter least leave less lines lived manners means move nature never observed occasion opinion passions perfection perhaps persons pity Plautus play pleased plot poem poesy poet poetry practice preface present probability produce proper prove raised reader reason relation represented rest rhyme rule scene sense serious Shakespeare sometimes speak stage story supposed tell things thoughts tragedy translated true verse Virgil virtue whole wholly writ write written