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" ... of two walls standing at right angles to each other, or the appearance of the houses on each side of a street, as seen by a person looking down the street from one extremity. Now in all cases, unless the person has happened to observe in pictures... "
“The” Works of Thomas De Quincey: The art of conversation - Sivu 193
tekijä(t) Thomas De Quincey - 1863
Koko teos - Tietoja tästä kirjasta

The Museum of Foreign Literature, Science and Art, Nide 3

1823 - 584 sivua
...knowledge of perspective, to draw in the rudest way the commonest appearance which depends upon the laws of that science — as for instance, to represent the...seen by a person looking down the street from one ex-' tremity. Now in all cases, unless the person has happened to observe in pictures how it is that...

Masterpieces of English Literature: Being Typical Selections of British and ...

William Swinton - 1880 - 694 sivua
...knowledge of perspective, to draw in the rudest way the commonest appearance which depends upon the law of that science ; as, for instance, to represent the effect of two walls standing at right angles to 20 each other, or the appearance of the houses on each side of a street, as seen by a person looking...

Studies in English Literature: Being Typical Selections of British and ...

William Swinton - 1886 - 690 sivua
...knowledge of perspective, to draw in the rudest way the commonest appearance which depends upon the law of that science; as, for instance, to represent the effect...artists produce these effects, he will be utterly incapable to make the smallest approximation to 25 it. Yet why ? For he has actually seen the effect...

The English Essayists: A Comprehensive Selection from the Works of the Great ...

Robert Cochrane - 1887 - 572 sivua
...knowledge of perspective, to draw in the rudest way the commonest appearance which depends upon the laws of r, were overruled by the rest of the company, who,...one would think they already had music enough, joine ov the appearance of the houses on each side of a street, as seen by a person looking down the street...

Studies in English Literature: Being Typical Selections of British and ...

William Swinton - 1887 - 686 sivua
...knowledge of perspective, to draw in the rudest way the commonest appearance which depends upon the law of that science; as, for instance, to represent the effect of two walls standing at right angles to »i each other, or the appearance of the houses on each side of a street, as seen by a person looking...

The Collected Writings of Thomas De Quincey, Nide 10

Thomas De Quincey - 1890 - 472 sivua
...edition his Collected Writings. De Quincey had intended to enlarge it ; 1 this was not done. — M. walla standing at right angles to each other, or the appearance...it is that artists produce these effects, he will he utterly unable to make the smallest approximation to it. Yet why ? For he has actually seen the...

The Collected Writings of Thomas De Quincey, Nide 10

Thomas De Quincey - 1890 - 476 sivua
...his Collected Writings. De Quincey had intended to enlarge it ; but this was not done. — M. walla standing at right angles to each other, or the appearance of the housea on each side of a street as seen by a person looking down the street from one extremity. Now,...

Studies in English Literature: Being Typical Selections of British and ...

William Swinton - 1897 - 682 sivua
...knowledge of perspective, to draw in the rudest way the commonest appearance which depends upon the law of that science; as, for instance, to represent the effect...artists produce these effects, he will be utterly incapable to make the smallest approximation to n it. Yet why ? For he has actually seen the effect...

De Quincey's Literary Criticism

Thomas De Quincey - 1909 - 280 sivua
...the perspective, to draw in the rudest way the commonest appearance which depends upon the laws of that science ; as, for instance, to represent the...houses on each side of a street, as seen by a person 1 London Magazine, Oct., 1823. Masson, x. 389. looking down the street from one extremity. Now in all...




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