SECT. II. Instrumental forbidden-Quakers cannot learn it on the motives of the world-it is not conducive to the improvement of the moral character-affords no solid ground of comfort-nor of true elevation of mind-a sensual gratification-remarks of Cowper -and, if encouraged, would interfere with the duty recommended by the Quakers, of frequent religious retirement. THE reader must always bear it in his mind, if the Quakers should differ from him on any particular subject, that they set themselves apart as a christian community, aiming at christian perfection: that it is their wish to educate their children, not as moralists or as philosophers, but as christians; and that therefore, in determining the propriety of a practice, they will frequently judge of it by an estimate, very different from that of the world. The Quakers do not deny that instrumental music is capable of exciting delight. They are not insensible either of its power or of its charms. They throw no imputation on its innocence, when viewed abstractly by itself; but they do not see any thing in it sufficiently useful, to make it an object of education, or so useful, as to counterbalance other considerations, which make for its disuse. The Quakers would think it wrong to indulge in their families the usual motives for the acquisition of this science. Self-gratification, which is one of them, and reputation in the world, which is the other, are not allowable in the christian system. Add to which that where there is a desire for such reputation, an emulative disposition is generally cherished, and envy and vain glory are often excited in the pursuit. They are of opinion also, that the learning of this art does not tend to promote the most important ob ject of education, the improvement of the mind. When a person is taught the use of letters, he is put into the way of acquiring natural, historical, religious, and other branches of knowledge, and of course of improving his intellectual and moral character. But music has no pretensions, in the opinion of the Quakers, to the production of such an end. Polybius, indeed relates, that he could give no solid reason, why one tribe of the Arcadians should have been so civilized, and the others so barbarous, but that the former were fond, and the latter were ignorant of music. But the Quakers would argue, that if music had any effect in the civilization, this effect would be seen in the manners, and not in the morals of mankind. Musical Italians are esteemed a soft and effeminate, but they are generally reputed a depraved people. Music, in short, though it breathes soft influences, cannot yet breathe morality into the mind. It may do to soften savages, but a christian community, in the opinion of the Quakers, can admit of no better civilization, than that which the spirit of the supreme being, and an observance of the pure precepts of christianity, can produce.. It Music, again, does not appear to the Quakers to be the foundation of any solid comfort in life. It may give spirits for the moment as strong liquor does, but when the effect of the liquor is over, the spirits flag, and the mind is again torpid. It can give no solid encouragement nor hope, nor prospects. can afford no anchorage ground, which shall hold the mind in a storm. The early christians, imprisoned, beaten and persecuted even to death, would have had but poor consolation, if they had not had a better friend than music to have relied upon in the hour of their distress. And here I think the Quakers would particularly condemn music, if they thought it could be resorted to in the hour of affliction, in as much as it would then have a tendency to divert the mind from its true and only support. Music, again, does not appear to them to be pro ductive of elevated thoughts, that is, of such thoughts. as raise the mind to sublime and spiritual things, abstracted from the inclinations, the temper, and the prejudices of the world. The most melodious sounds that human instruments can make, are from the earth earthly. But nothing can rise higher than its own origin. All true elevation therefore can only come, in the opinion of the Quakers, from the divine source The Quakers therefore, seeing no moral utility in music, cannot make it a part of their education. But there are other considerations, of a different nature, which influence them in the same way. Music, in the first place, is a sensual gratification. Even those who run after sacred music, never consider themselves as going to a place of devotion, but where, in full concert, they may hear the performance of the master pieces of the art. This attention to religious compositions, for the sake of the music, has been noticed by one of our best poets. "and ten thousand sit, "Patiently present at a sacred song, COWPER But the Quakers believe, that all sensual desires should be held in due subordination to the pure principle, or that sensual pleasures should be discouraged, as much as possible, as being opposed to those spiritual feelings, which constitute the only perfect enjoyment of a christian. Music, again, if it were encouraged in the society, would be considered as depriving those of maturer years of hours of comfort, which they now frequently enjoy, in the service of religion. Retirement is con, sidered by the Quakers as a christian duty. The members therefore of this society are expected to wait in silence, not only in their places of worship, but occasionally in their families, or in their private chambers, in the intervals of their daily occupations, that, in stillness of heart, and in freedom from the active contrivance of their own wills, they may acquire both directions and strength for the performance of the duties of life. The Quakers therefore are of opinion, that, if instrumental music were admitted as a gratification in leisure hours, it would take the place of many of these serious retirements, and become very injurious to their interests and their character as christians |