The Works of Samuel Johnson, LL. D.G. Walker, 1820 |
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Tulokset 1 - 5 kokonaismäärästä 56
Sivu 7
... images which may exhibit the gaiety of hope , or the gloominess of despair ; and dresses his imagina- ry Chloris or Phyllis sometimes in flowers fading as her beauty , and sometimes in gems lasting as her virtues . At Paris , as ...
... images which may exhibit the gaiety of hope , or the gloominess of despair ; and dresses his imagina- ry Chloris or Phyllis sometimes in flowers fading as her beauty , and sometimes in gems lasting as her virtues . At Paris , as ...
Sivu 18
... images , or discovery of occult resemblances in things apparently unlike . Of wit , thus defined , they have more than enough . The most heterogeneous ideas are yoked by violence together ; nature and art are ransacked for illustra ...
... images , or discovery of occult resemblances in things apparently unlike . Of wit , thus defined , they have more than enough . The most heterogeneous ideas are yoked by violence together ; nature and art are ransacked for illustra ...
Sivu 19
... image into fragments ; and could no more repre- sent , by their slender conceits and laboured particu- larities , the prospects of nature , or the scenes of life , than he who dissects a sun beam with a prism can exhibit the wide ...
... image into fragments ; and could no more repre- sent , by their slender conceits and laboured particu- larities , the prospects of nature , or the scenes of life , than he who dissects a sun beam with a prism can exhibit the wide ...
Sivu 33
... images , but for conceits . Night has been a common subject , which poets have contended to adorn . Dryden's Night is well known ; Donne's is as follows : Thou seest me here at midnight , now all rest : Time's dead low - water ; when ...
... images , but for conceits . Night has been a common subject , which poets have contended to adorn . Dryden's Night is well known ; Donne's is as follows : Thou seest me here at midnight , now all rest : Time's dead low - water ; when ...
Sivu 37
... images , and such a dance of words , it is in vain to expect except from Cowley . His strength always appears in his agility ; his volatility is not the flutter of a light , but the bound of an elastic mind . His levity never leaves his ...
... images , and such a dance of words , it is in vain to expect except from Cowley . His strength always appears in his agility ; his volatility is not the flutter of a light , but the bound of an elastic mind . His levity never leaves his ...
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Absalom and Achitophel admired Æneid afterwards ancients appears beauties better blank verse called censure character Charles Charles Dryden composition considered Cowley criticism death defend delight diction dramatic Dryden duke earl elegance English English poetry Euripides excellence fancy faults favour friends genius Georgics heaven heroic honour hope Hudibras images imagination imitation Jacob Tonson John Dryden Juvenal kind king known labour lady language Latin learning lines Lord Lord Roscommon Milton mind nature never NIHIL numbers opinion Paradise Lost Paradise Regained parliament passions perhaps perusal Philips Pindar play pleasing pleasure poem poet poetical poetry pounds praise preface produced published racters reader reason relates remarks reputation rhyme satire says seems sent sentiments shew sometimes Sprat style supposed thee thing thou thought tion tragedy translation truth verses versification Virgil virtue Waller words write written wrote
Suositut otteet
Sivu 74 - O could I flow like thee, and make thy stream My great example, as it is my theme! Though deep, yet clear, though gentle, yet not dull, Strong without rage, without o'er-flowing full.
Sivu 73 - Damn with faint praise, assent with civil leer, And without sneering, teach the rest to sneer; Willing to wound and yet afraid to strike, Just hint a fault and hesitate dislike; Alike...
Sivu 375 - DRYDEN may be properly considered as the father of English criticism, as the writer who first taught us to determine upon principles the merit of composition. Of our former poets, the greatest dramatist wrote without rules, conducted through life and nature by a genius that rarely misled, and rarely deserted him. Of the rest, those who knew the laws of propriety had neglected to teach them.
Sivu 35 - To move, but doth if th' other do. And though it in the center sit, Yet when the .other far doth roam, It leans and hearkens after it, And grows erect as that comes home. Such wilt thou be to me, who must, Like th' other foot, obliquely run: Thy firmness makes my circle just, And makes me end where I begun.
Sivu 206 - At the moment in which he expired, he uttered, with an energy of voice, that expressed the most fervent devotion, two lines of his own version of Dies Ira; : My God, my father, and my friend, Do not forsake me in my end.
Sivu 144 - It is not to be considered as the effusion of real passion ; for passion runs not after remote allusions and obscure opinions. Passion plucks no berries from the myrtle and ivy, nor calls upon Arethuse and Mincius, nor tells of rough satyrs and fauns with cloven heel.
Sivu 404 - Blest above; So when the last and dreadful hour This crumbling pageant shall devour, The trumpet shall be heard on high, The dead shall live, the living die, And Music shall untune the sky!
Sivu 130 - Fancy can hardly forbear to conjecture with what temper Milton surveyed the silent progress of his work, and marked his reputation stealing its way in a kind of subterraneous current, through fear and silence. I cannot but conceive him calm and confident, little disappointed, not at all dejected, relying on his own merit with steady consciousness, and waiting without impatience, the vicissitudes of opinion, and the impartiality of a future generation.
Sivu 394 - To see this fleet upon the ocean move, Angels drew wide the curtains of the skies; And Heaven, as if there wanted lights above, For tapers made two glaring comets rise.
Sivu 19 - Their attempts were always analytic ; they broke every image into fragments: and could no more represent, by their slender conceits 'and laboured particularities, the prospects of nature or the scenes of life, than he who dissects a sunbeam with a prism can exhibit the wide effulgence of a summer noon.