Treatise on Musical Objects: An Essay across Disciplines

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Univ of California Press, 25 Jul 2017 - Music - 624 pages
The Treatise on Musical Objects is regarded as Pierre Schaeffer’s most important work on music and its relationship with technology. Schaeffer expands his earlier research in musique concrète to suggest a methodology of working with sounds based on his experiences in radio broadcasting and the recording studio. Drawing on acoustics, physics, and physiology, but also on philosophy and the relationship between subject and object, Schaeffer’s essay summarizes his theoretical and practical work in music composition. Translators Christine North and John Dack present an important book in the history of ideas in Europe that will resonate far beyond electroacoustic music.
 

Contents

The Historical Situation of Music
1
BOOK ONE MAKING MUSIC
21
BOOK TWO HEARING
71
BOOK THREE CORRELATIONS BETWEEN THE PHYSICAL SIGNAL AND THE MUSICAL OBJECT
117
BOOK FOUR OBJECTS AND STRUCTURES
203
BOOK FIVE MORPHOLOGY AND TYPOLOGY OF SOUND OBJECTS
307
BOOK SIX THEORY OF MUSICAL OBJECTS
377
BOOK SEVEN MUSIC AS A DISCIPLINE
477
Postscript
561
Index
563
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About the author (2017)

Composer, writer, and electronic engineer Pierre Schaeffer (1910–1995) was the inventor of musique concrète—music created by combining and manipulating recorded sounds, rather than being played on conventional musical instruments. Christine North is a translator of French poetry and academic texts. John Dack is Senior Lecturer in Music and Technology at Middlesex University.

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