Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's TheatreCambridge University Press, 27.7.2000 - 298 sivua Robert Weimann redefines the relationship between writing and performance, or "playing," in Shakespeare's theater. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theater, performance theory, and film and video interpretation, and offers a new approach to understanding Shakespeare. Weimann examines a range of plays as well as other contemporary works. A major part of the study explores the duality between playing and writing. |
Kirjan sisältä
Tulokset 1 - 5 kokonaismäärästä 67
Sivu 2
... parameters of what now authorizes and energizes the uses of his plays are themselves in flux . What we see emerging before our eyes is a new poetics of cultural response that has its own demands and gratifications 2 Introduction.
... parameters of what now authorizes and energizes the uses of his plays are themselves in flux . What we see emerging before our eyes is a new poetics of cultural response that has its own demands and gratifications 2 Introduction.
Sivu 3
... poetics of cultural response , while it has reached academia only marginally , points to untapped sources of reproducible pleasure and profit in recycling the culture of the past - effects largely unanticipated in Walter Benjamin's ...
... poetics of cultural response , while it has reached academia only marginally , points to untapped sources of reproducible pleasure and profit in recycling the culture of the past - effects largely unanticipated in Walter Benjamin's ...
Sivu 4
... poetics of literacy . But once this element was absorbed by and adapted to the writing itself , it in its own turn helped for a certain time to keep viable more than one purpose of playing . In this context , " bifold authority " drew ...
... poetics of literacy . But once this element was absorbed by and adapted to the writing itself , it in its own turn helped for a certain time to keep viable more than one purpose of playing . In this context , " bifold authority " drew ...
Sivu 10
... poetics , the dramaturgy , and epistemology of the plays themselves . As I have argued elsewhere , 10 the issue of authority in its early modern connotations provides us with an extraordinary complexity that cuts right through an ...
... poetics , the dramaturgy , and epistemology of the plays themselves . As I have argued elsewhere , 10 the issue of authority in its early modern connotations provides us with an extraordinary complexity that cuts right through an ...
Sivu 11
... poetics ; rather it relates to the issue of function . In the present project , my interest in the question of the ... poetic functions and effects . These , I suggest , are vitally at stake as soon as the dramaturgy of the Shakespearean ...
... poetics ; rather it relates to the issue of function . In the present project , my interest in the question of the ... poetic functions and effects . These , I suggest , are vitally at stake as soon as the dramaturgy of the Shakespearean ...
Sisältö
Performance and authority in Hamlet 1603 | 18 |
A new agenda for authority | 29 |
The low and ignorant crust of corruption | 31 |
Towards a circulation of authority in the theatre | 36 |
distraction in authority | 43 |
Pen and voice versions of doubleness | 54 |
Frivolous jestures vs matter of worthiness Tamburlaine | 56 |
Bifold authority in Troilus and Cressida | 62 |
Renaissance writing and common playing | 153 |
Unworthy antics in the glass of fashion | 161 |
When in one line two crafts directly meet | 169 |
Wordplay and the mirror of representation | 174 |
Space individable locus and platea revisited | 180 |
the locus | 182 |
provenance and function | 192 |
Locus and platea in Macbeth | 196 |
Unworthy scaffold for so great an object Henry V | 70 |
Playing with a difference | 79 |
To disfigure or to present A Midsummer Nights Dream | 80 |
To descant on difference and deformity Richard III | 88 |
The selfresembled show | 98 |
Presentation or the performant function | 102 |
Histories in Elizabethan performance | 109 |
Disparity in midElizabethan theatre history | 110 |
Reforming a whole theatre of others Hamlet | 121 |
From common player to excellent actor | 131 |
Differentiation exclusion withdrawal | 136 |
Hamlet and the purposes of playing | 151 |
Banqueting in Timon of Athens | 208 |
Shakespeares endings commodious thresholds | 216 |
Epilogues vs closure | 220 |
holiday into workaday | 226 |
Thresholds to memory and commodity | 234 |
cultural authority betwixtandbetween | 240 |
thresholds forever after | 246 |
Notes | 251 |
List of works cited | 269 |
289 | |
Muita painoksia - Näytä kaikki
Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre Robert Weimann Esikatselu ei käytettävissä - 2000 |
Yleiset termit ja lausekkeet
acting action actor's voice actors Andrew Gurr antic Apemantus appears audience author's pen banquet bifold century character circulation of authority clown comedy common players context contrariety course criticism cultural authority deformity differentiation discourse disfigurement doubleness dramatic representation dramatic text dramaturgy element Elizabethan performance Elizabethan stage Elizabethan theatre epilogue function gesture Hamlet high Renaissance Histriomastix holy humanist imaginary implicated John Marston language least liminal literary locus and platea Macbeth marked matter medieval theatre memory Midsummer Night's Dream mimesis mirror mode notes oral performance practice phrase platea play's playhouse playtext poetics political present production Prologue purpose of playing Quarto question reading relations Renaissance represented rhetoric role scene semiotics sense serves Shakespeare's theatre signifying social spatial spectators speech Stephen Orgel suggest symbolic Tamburlaine textual theatrical space threshold tion traditional Troilus and Cressida unworthy scaffold verbal words writing and playing
Viitteet tähän teokseen
Maps and Memory in Early Modern England: A Sense of Place Rhonda Lemke Sanford Esikatselu ei käytettävissä - 2002 |