Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's TheatreCambridge University Press, 27.7.2000 - 298 sivua Robert Weimann redefines the relationship between writing and performance, or "playing," in Shakespeare's theater. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theater, performance theory, and film and video interpretation, and offers a new approach to understanding Shakespeare. Weimann examines a range of plays as well as other contemporary works. A major part of the study explores the duality between playing and writing. |
Kirjan sisältä
Tulokset 1 - 5 kokonaismäärästä 74
Sivu iv
... social , economic , political and cultural history . While the earliest New Historical work was criticized for a narrow and anecdotal view of history , it also served as an important stimulus for post - structuralist , feminist ...
... social , economic , political and cultural history . While the earliest New Historical work was criticized for a narrow and anecdotal view of history , it also served as an important stimulus for post - structuralist , feminist ...
Sivu 5
... social scientific studies has crumbled , con- comitant expectations have been contradicted " that literacy's roles are [ ... ] relatively unmediated , highly pervasive , and requisite and responsible for individual , societal , and ...
... social scientific studies has crumbled , con- comitant expectations have been contradicted " that literacy's roles are [ ... ] relatively unmediated , highly pervasive , and requisite and responsible for individual , societal , and ...
Sivu 6
... social and cultural formations , needs , and interests . For very good reasons , then , scholarly attention has come to be focused on what is a crucial nexus in the present study - the process of interaction among written and oral forms ...
... social and cultural formations , needs , and interests . For very good reasons , then , scholarly attention has come to be focused on what is a crucial nexus in the present study - the process of interaction among written and oral forms ...
Sivu 8
... social constellation of both stratification and inclusiveness , one that in both trends crucially helped shape the formative period of the Elizabethan theatre . As William Ingram , John Astington , David Bradley and others have ...
... social constellation of both stratification and inclusiveness , one that in both trends crucially helped shape the formative period of the Elizabethan theatre . As William Ingram , John Astington , David Bradley and others have ...
Sivu 9
... social as well as cultural , implicating divergent modes of communication as well as diverse perceptions of space and non - identical uses of dramaturgy and knowledge . In Shakespeare's theatre , this difference was both suspended and ...
... social as well as cultural , implicating divergent modes of communication as well as diverse perceptions of space and non - identical uses of dramaturgy and knowledge . In Shakespeare's theatre , this difference was both suspended and ...
Sisältö
Performance and authority in Hamlet 1603 | 18 |
A new agenda for authority | 29 |
The low and ignorant crust of corruption | 31 |
Towards a circulation of authority in the theatre | 36 |
distraction in authority | 43 |
Pen and voice versions of doubleness | 54 |
Frivolous jestures vs matter of worthiness Tamburlaine | 56 |
Bifold authority in Troilus and Cressida | 62 |
Renaissance writing and common playing | 153 |
Unworthy antics in the glass of fashion | 161 |
When in one line two crafts directly meet | 169 |
Wordplay and the mirror of representation | 174 |
Space individable locus and platea revisited | 180 |
the locus | 182 |
provenance and function | 192 |
Locus and platea in Macbeth | 196 |
Unworthy scaffold for so great an object Henry V | 70 |
Playing with a difference | 79 |
To disfigure or to present A Midsummer Nights Dream | 80 |
To descant on difference and deformity Richard III | 88 |
The selfresembled show | 98 |
Presentation or the performant function | 102 |
Histories in Elizabethan performance | 109 |
Disparity in midElizabethan theatre history | 110 |
Reforming a whole theatre of others Hamlet | 121 |
From common player to excellent actor | 131 |
Differentiation exclusion withdrawal | 136 |
Hamlet and the purposes of playing | 151 |
Banqueting in Timon of Athens | 208 |
Shakespeares endings commodious thresholds | 216 |
Epilogues vs closure | 220 |
holiday into workaday | 226 |
Thresholds to memory and commodity | 234 |
cultural authority betwixtandbetween | 240 |
thresholds forever after | 246 |
Notes | 251 |
List of works cited | 269 |
289 | |
Muita painoksia - Näytä kaikki
Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre Robert Weimann Esikatselu ei käytettävissä - 2000 |
Yleiset termit ja lausekkeet
acting action actor's voice actors Andrew Gurr antic Apemantus appears audience author's pen banquet bifold century character circulation of authority clown comedy common players context contrariety course criticism cultural authority deformity differentiation discourse disfigurement doubleness dramatic representation dramatic text dramaturgy element Elizabethan performance Elizabethan stage Elizabethan theatre epilogue function gesture Hamlet high Renaissance Histriomastix holy humanist imaginary implicated John Marston language least liminal literary locus and platea Macbeth marked matter medieval theatre memory Midsummer Night's Dream mimesis mirror mode notes oral performance practice phrase platea play's playhouse playtext poetics political present production Prologue purpose of playing Quarto question reading relations Renaissance represented rhetoric role scene semiotics sense serves Shakespeare's theatre signifying social spatial spectators speech Stephen Orgel suggest symbolic Tamburlaine textual theatrical space threshold tion traditional Troilus and Cressida unworthy scaffold verbal words writing and playing
Viitteet tähän teokseen
Maps and Memory in Early Modern England: A Sense of Place Rhonda Lemke Sanford Esikatselu ei käytettävissä - 2002 |