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NOTES AND QUERIES:

A

Medium of Inter-Communication

FOR

LITERARY MEN, ARTISTS, ANTIQUARIES,
GENEALOGISTS, ETC.

"When found, make a note of."- CAPTAIN CUTTLE.

SECOND SERIES.-VOLUME TENTH.

JULY-DECEMBER, 1860.

LONDON:

BELL & DALDY, 186. FLEET STREET.
1860.

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Faxon

LONDON, SATURDAY, JULY 7. 1860.

No. 236. CONTENTS.

NOTES:-Colley Cibber and Gay, 1- Camden, Claren-

ceux, 2- Edgar Ætheling, 3-Christopher Lord Hatton,

the Author of a Book of Psalmody, 4.

MINOR NOTES:-Web of the Spider a Remedy for Fever

-The Solent, the Swale, and Solway Firth - Political Sa-

tires, 6.

QUERIES:- The German Church in London, 6- Blake
Queries-South Sea Stock-The Cobler of Glocester
Stench and Smell - Armorial - Senex's "Map of Ireland"
- Anglin: Lacount-Sir Edward Dering - -Aislabie of
Studley, Co. York-Paul Washington alias Haine - Robert

Remington-Vowel Sounds -Alfieri - Maelstrom-In-

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cast himself upon the support of the King's fa-
vourite beauty, Mrs. Howard (afterwards Coun-
tess of Suffolk), and openly boasted that this
'allegorical creature of fancy" (as Swift calls

her) was "his sole trust and protector!" By

such extravagances of conduct, Gay completely

alienated the good will of her majesty; and Cib-

ber, as a matter of course, was preferred before

him.

The selection of Cibber for the vacant "bays"

was doubly galling to Gay. The new laureate
was not only notoriously ill qualified for his office,
having no talent whatever for lyrical compositions;
but, when Gay had avenged himself upon the
court, in his singularly successful Beggar's Opera,
Cibber had ventured to enter the dramatic lists
with, and attempted by affecting a superior mo-
rality to turn the current of popular applause
from, him. The issue of this vain-glorious endea-
vour is best expressed in the laureate's own
words: -

"Love in a riddle, for so my new-fangled performance
was called, was as vilely damned and hooted at as so
vain a presumption in the idle cause of virtue could
deserve."

The signal failure of that dramatic piece, no

less than his "annual Odes," which had no merit

but their loyalty, exposed the unlucky laureate to

the incessant attacks of Gay and his friends; and

amongst the latter not one was so persistent in his

opposition as Fielding. Gay himself had established

the precedent of writing "volunteer Odes," and

had by such means at first attracted the favour-

able notice of the Queen, whilst she was Princess

of Wales. The authors of the accompanying "Ode

for the New Year" (reprinted for the first time

from the original broadside) intended as well to

retaliate upon the presumptuous laureate as to ex-

pose the foibles of the principal personages in the

court. Both the hand and kindly nature of Gay

are discernible in it; in those stanzas, I mean,

which refer to that truly excellent, but oftentimes

much abused lady, Queen Caroline. For whilst

the ballad hints at the parsimonious and irascible

disposition of the King, the weak mindedness of his

voluptuous and dependent son, Prince Frederic

Louis of Wales, and their mutual and disgraceful

squabbles, the allusions to her Majesty are rather

complimentary than satirical; evidencing, in fact,

her steady patronage of the most distinguished

men of her day, without regard either to their

religious or political creeds.

"AN ODE FOR THE NEW YEAR:

Written by Colley Cibber, Esq.,

Poet Laureate.

"God prosper long our gracious King,
Now sitting on the throne;
Who leads this nation in a String,
And governs all but One.*

* His minister, Sir Robert Walpole; whose red ribbon

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