English Critical Essays (sixteenth, Seventeenth, and Eighteenth Centuries) Selected and Ed. by Edmund D. JonesEdmund David Jones H. Milford, Oxford University Press, 1922 - 460 sivua |
Kirjan sisältä
Tulokset 1 - 5 kokonaismäärästä 72
Sivu 103
... character of that perpetual revolution which we see to be in all things that never remain the same and we must herein be content to submit ourselves to the law of time , which in few years will make all that for which we now contend ...
... character of that perpetual revolution which we see to be in all things that never remain the same and we must herein be content to submit ourselves to the law of time , which in few years will make all that for which we now contend ...
Sivu 105
... is taken in two senses in respect of words or matter . In the first sense it is but a character of style , and belongeth to arts of speech , and is not pertinent for the present . In the later it is , as hath E 3 THE NATURE OF POETRY 105.
... is taken in two senses in respect of words or matter . In the first sense it is but a character of style , and belongeth to arts of speech , and is not pertinent for the present . In the later it is , as hath E 3 THE NATURE OF POETRY 105.
Sivu 139
... characters of the persons , and proceeds very little into any part of the action . Secondly , the Epitasis , or working up of the plot ; where the play grows warmer , the design or action of it is drawing on , and you see something ...
... characters of the persons , and proceeds very little into any part of the action . Secondly , the Epitasis , or working up of the plot ; where the play grows warmer , the design or action of it is drawing on , and you see something ...
Sivu 142
... characters are indeed the imitation of nature , but so narrow , as if they had imitated only an eye or an hand , and did not dare to venture on the lines of a face , or the proportion of a body . But in how straight a compass soever ...
... characters are indeed the imitation of nature , but so narrow , as if they had imitated only an eye or an hand , and did not dare to venture on the lines of a face , or the proportion of a body . But in how straight a compass soever ...
Sivu 150
... character of a fanfaron or Hector : for with us the knight takes occasion to walk out , or sleep , to avoid the vanity of telling his own story , which the trusty squire is ever to perform for him . So in their love scenes , of which ...
... character of a fanfaron or Hector : for with us the knight takes occasion to walk out , or sleep , to avoid the vanity of telling his own story , which the trusty squire is ever to perform for him . So in their love scenes , of which ...
Muita painoksia - Näytä kaikki
English Critical Essays (Sixteenth, Seventeenth, and Eighteenth Centuries ... Edmund D. Jones Esikatselu ei käytettävissä - 2018 |
English Critical Essays (Sixteenth, Seventeenth, and Eighteenth Centuries ... Edmund David Jones Esikatselu ei käytettävissä - 2016 |
Yleiset termit ja lausekkeet
action admiration Aeneas Aeneid ancients Anne Brontë Aristotle beauties Ben Jonson better blank verse character Charlotte Brontë Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden E. V. LUCAS English epic Eugenius excellent fable Faerie Queene fame fancy father fault French genius give glory Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation Intro invention Jonson judge judgement kind labour language Latin learning Lisideius manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher play plot poem Poesy poet poetical poetry praise prose reader reason rhyme Roman rules scene sense sentiments Shakespeare Silent Woman sometimes speak spirit stage stanza syllables THEODORE WATTS-DUNTON things thought tion tragedy translated Trochee truth Virgil virtue words write written
Suositut otteet
Sivu 96 - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was (indeed) honest, and of an open and free nature; had an excellent phantasy, brave notions, and gentle expressions...
Sivu 103 - For though the Poet's matter Nature be His art doth give the fashion. And that he Who casts to write a living line, must sweat (Such as thine are), and strike the second heat Upon the Muses...
Sivu 240 - In words, as fashions, the same rule will hold; Alike fantastic, if too new, or old: Be not the first by whom the new are tried, Nor yet the last to lay the old aside.
Sivu 92 - The use of this feigned history hath been to give some shadow of satisfaction to the mind of man in those points wherein the nature of things doth deny it; the world being in proportion inferior to the soul; by reason whereof there is agreeable to the spirit of man a more ample greatness, a more exact goodness, and a more absolute variety, than can be found in the nature of things.
Sivu 432 - Church-yard' abounds with images which find a mirror in every mind, and with sentiments to which every bosom returns an echo.
Sivu 241 - Who haunt Parnassus but to please their ear, Not mend their minds ; as some to church repair, Not for the doctrine but the music there. These equal syllables alone require, Though oft the ear the open vowels tire, While expletives their feeble aid do join, And ten low words oft creep in one dull line : While they ring round the same unvaried chimes, With sure returns of still expected rhymes ; Where'er you find " the cooling western breeze...
Sivu 96 - I loved the man, and do honour his memory on this 'side idolatry as much as any. He was, indeed, honest, and of an open and free nature ; had an excellent fantasy, braye notions, and gentle expressions, wherein he flowed with that facility that sometimes it was necessary he should be stopped.
Sivu 40 - By and by we hear news of shipwreck in the same place: then we are to blame if we accept it not for a rock. Upon the back of that comes out a hideous monster with fire and smoke, and then the miserable beholders are bound to take it for a cave: while in the mean time two armies fly in, represented with four swords and bucklers, and then what hard heart will not receive it for a pitched field?
Sivu 235 - Some beauties yet no precepts can declare, For there's a happiness as well as care. Music resembles poetry, in each Are nameless graces which no methods teach, And which a master-hand alone can reach.