Booking Passage: Exile and Homecoming in the Modern Jewish Imagination

Etukansi
University of California Press, 22.12.2023 - 370 sivua
Sidra DeKoven Ezrahi's sweeping study of modern Jewish writing is in many ways a long meditation on the thematics of geography in Jewish culture, what she calls the "poetics of exile and return."

Until the late nineteenth century, Jews were identified in their own religious and poetic imagination as wanderers and exiles, their sacred center–Jerusalem, Zion–fatefully out of reach. Opening the book with "Jewish Journeys," Ezrahi begins by examining the work of medieval Hebrew poet Yehuda Halevi to chart a journey whose end was envisioned as the sublime realignment of the people with their original center. When the Holy Land became the site of a political drama of return in the nineteenth century, Jewish writing reflected the shift, traced here in the travel fictions of S.Y. Abramovitsh, S.Y. Agnon, and Sholem Aleichem.

In "Jewish Geographies" Ezrahi explores aspects of reterritorialization through memory in the post-Holocaust writing of Paul Celan, Dan Pagis, Aharon Appelfeld, I.B. Singer and Philip Roth. Europe, where Jews had dreamed of return, has become the new ruined shrine: The literary pilgrimages of these writers recall familiar patterns of grieving and representation and a tentative reinvention of the diasporic imagination–in America, of course, but, paradoxically, even in Zion.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 2000.
Sidra DeKoven Ezrahi's sweeping study of modern Jewish writing is in many ways a long meditation on the thematics of geography in Jewish culture, what she calls the "poetics of exile and return."

Until the late nineteenth century, Jews were ide

Kirjan sisältä

Esimerkkisivuja

Sisältö

The Poetics of Pilgrimage Yehuda Halevi and the Uncompleted Journey
33
Lost in Space S Y Abramovitsh and the Skeptical Voyage
52
In the Heart of the Seas S Y Agnon and the Epic of Return
81
By Train by Ship by Subway Sholem Aleichem and the American Voyage of SelfInvention
103
Writing Poetry after Auschwitz Paul Celan as the Last Barbarian
141
Reclaiming a Plot in Radautz Dan Pagis and the Prosaics of Memory
157
Between Bukovina and Jerusalem Aharon Appelfeld and Pilgrimage to the Ruined Shrine
179
ReImagining Europe The Anacbronistic Tales of I B Singer
200
The Grapes of Roth Diasporism from Portnoy to Shylock
221
The Imagination of Return and the Return of Imagination
234
Epilogue
243
Notes
245
Bibliography
321
Index
347
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Suositut otteet

Sivu 249 - Simulation is no longer that of a territory, a referential being or a substance. It is the generation by models of a real without origin or reality: a hyperreal.
Sivu 88 - And his feet shall stand in that day upon the mount of Olives, which is before Jerusalem on the east, and the mount of Olives shall cleave in the midst thereof toward the east and toward the west, and there shall be a very great valley; and half of the mountain shall remove toward the north, and half of it toward the south.
Sivu 142 - SCHWARZE Milch der Frühe wir trinken sie abends wir trinken sie mittags und morgens wir trinken sie nachts wir trinken und trinken wir schaufeln ein Grab in den Lüften da liegt man nicht eng Ein Mann wohnt im Haus der spielt mit den Schlangen der schreibt der schreibt wenn es dunkelt nach Deutschland dein goldenes Haar Margarete er schreibt es und tritt vor das Haus und es blitzen die Sterne er pfeift seine Rüden herbei er pfeift seine Juden hervor läßt...
Sivu 129 - For never has experience been contradicted more thoroughly than strategic experience by tactical warfare, economic experience by inflation, bodily experience by mechanical warfare, moral experience by those in power. A generation that had gone to school on a horse-drawn streetcar now stood under the open sky in a countryside in which nothing remained unchanged but the clouds, and beneath these clouds, in a field of force of destructive torrents and explosions, was the tiny, fragile human body.
Sivu 207 - The high honor bestowed upon me by the Swedish academy is also a recognition of the Yiddish language — a language of exile, without a land, without frontiers, not supported by any government, a language which possesses no words for weapons, ammunition, military exercises, war tactics; a language that was despised by both gentiles and emancipated Jews.
Sivu 169 - Such images are indeed able to usurp reality because first of all a photograph is not only an image (as a painting is an image), an interpretation of the real; it is also a trace, something directly stenciled off the real, like a footprint or a death mask.
Sivu 143 - The abundance of real suffering tolerates no forgetting; Pascal's theological saying, On ne doit plus dormir, must be secularized. Yet this suffering, what Hegel called consciousness of adversity, also demands the continued existence of art while it prohibits it; it is now virtually in art alone that suffering can still find its own voice, consolation, without immediately being betrayed by it.
Sivu 293 - The differend is the unstable state and instant of language wherein something which must be able to be put into phrases cannot yet be.
Sivu 173 - ... (I cannot reproduce the Winter Garden Photograph. It exists only for me. For you, it would be nothing but an indifferent picture, one of the thousand manifestations of the "ordinary...

Tietoja kirjailijasta (2023)

Sidra DeKoven Ezrahi is Senior Lecturer in comparative Jewish literature at the Hebrew University of Jerusalem and is the author of By Words Alone: The Holocaust in Literature (1980).

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