Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
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Tulokset 1 - 3 kokonaismäärästä 24
Sivu 13
Monika A. Dudli. II . EUGENE ONEGIN : ARTIFICE AND REALISM " Perception of its form reveals the content of the work , " 20 according to the turn - of - the - century school of Russian criticism known as ... Eugene Onegin: Artifice and ...
Monika A. Dudli. II . EUGENE ONEGIN : ARTIFICE AND REALISM " Perception of its form reveals the content of the work , " 20 according to the turn - of - the - century school of Russian criticism known as ... Eugene Onegin: Artifice and ...
Sivu 15
... Eugene Onegin ; the complex tone of the novel is kept in continual balance between them . The self - consciousness of Rousseauistic sincerity and Richardsonian sentimentalism , the elaborate artifice of the Sternian world and the oddly ...
... Eugene Onegin ; the complex tone of the novel is kept in continual balance between them . The self - consciousness of Rousseauistic sincerity and Richardsonian sentimentalism , the elaborate artifice of the Sternian world and the oddly ...
Sivu 49
... Eugene Onegin comes surprisingly close in tone to Mickiewicz's . Eugene Onegin is exceptional , for Pushkin , in that the narrative voice is such an integral and dominant part of the poem . For one thing , it is more continuous with the ...
... Eugene Onegin comes surprisingly close in tone to Mickiewicz's . Eugene Onegin is exceptional , for Pushkin , in that the narrative voice is such an integral and dominant part of the poem . For one thing , it is more continuous with the ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
Tekijänoikeudet | |
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Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia