Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
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Tulokset 1 - 3 kokonaismäärästä 63
Sivu 4
... romantic desire to reinstate them that evokes consistency where there was none ) . To conclude that " Romanticism is a type of realism because it rediscovered the details which had congealed into classical uniformity " is misleading ...
... romantic desire to reinstate them that evokes consistency where there was none ) . To conclude that " Romanticism is a type of realism because it rediscovered the details which had congealed into classical uniformity " is misleading ...
Sivu 83
... Romantic solipsist heresy.41 Not that Prufrock is a doctrinaire , philosophical solipsist ; he is too radically Romantic to affirm any sort of ideol- ogy formulated by someone else . It is merely that he has Doubts about the existence ...
... Romantic solipsist heresy.41 Not that Prufrock is a doctrinaire , philosophical solipsist ; he is too radically Romantic to affirm any sort of ideol- ogy formulated by someone else . It is merely that he has Doubts about the existence ...
Sivu 86
... Romantic intellect , which draws a hand across his mouth and induces laughter.49 Prufrock , too , externalizes and ... Romantic ? A temperamental Romantic , possibly , in 1910 , at age 22. As Flaubert in his examination of Romanticism ...
... Romantic intellect , which draws a hand across his mouth and induces laughter.49 Prufrock , too , externalizes and ... Romantic ? A temperamental Romantic , possibly , in 1910 , at age 22. As Flaubert in his examination of Romanticism ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
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Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia