Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 41
Sivu 6
... artist felt constrained by his own devices , and suggestibility , " the substitution of a sublime feeling of the unimaginable for a mere image " often replaced more concrete expression , as the artist strove to " disclose what is beyond ...
... artist felt constrained by his own devices , and suggestibility , " the substitution of a sublime feeling of the unimaginable for a mere image " often replaced more concrete expression , as the artist strove to " disclose what is beyond ...
Sivu 77
... artist , like the artist of the Poetics , is nowhere to be found in his creation . Mallarmé lauds the “ poème dégagé de tout appareil du scribe " and , like Aristotle , suggests that , to achieve anonymity , the artist should ...
... artist , like the artist of the Poetics , is nowhere to be found in his creation . Mallarmé lauds the “ poème dégagé de tout appareil du scribe " and , like Aristotle , suggests that , to achieve anonymity , the artist should ...
Sivu 87
... artist has his work cut out for him . The Romantic personality and the Symbolist aesthet- ic are almost irresistible responses to " an age of progressive degradation " 52 and every good artist in this century and the last has been , to ...
... artist has his work cut out for him . The Romantic personality and the Symbolist aesthet- ic are almost irresistible responses to " an age of progressive degradation " 52 and every good artist in this century and the last has been , to ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
Tekijänoikeudet | |
8 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia