Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
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Tulokset 1 - 3 kokonaismäärästä 27
Sivu 19
... characters suspended in mid - step until he chooses to re - animate them ; time passes , his hero slips ... characters . The tenor of his comments indicates that Pushkin is changing alongside his poem , and partly through the process of ...
... characters suspended in mid - step until he chooses to re - animate them ; time passes , his hero slips ... characters . The tenor of his comments indicates that Pushkin is changing alongside his poem , and partly through the process of ...
Sivu 34
... characters are defined in terms of their actions , rather than their subjective perceptions , because only by their actions do they place themselves in a tangible relation to their society . So where in Pushkin we were made intensely ...
... characters are defined in terms of their actions , rather than their subjective perceptions , because only by their actions do they place themselves in a tangible relation to their society . So where in Pushkin we were made intensely ...
Sivu 41
... characters more as social than as individual entities , and indeed , in the initial canto we are introduced first to the basic unitary structure of society , the household , before any individuals are brought into focus . And when they ...
... characters more as social than as individual entities , and indeed , in the initial canto we are introduced first to the basic unitary structure of society , the household , before any individuals are brought into focus . And when they ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
Tekijänoikeudet | |
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Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia