Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 7
Sivu 45
... close to the surface of the work . Until the foregoing confession - scene , he has stood in the back- ground , coming forward now and then with a cogent comment on the political situation , shooting the bear at a moment when all ...
... close to the surface of the work . Until the foregoing confession - scene , he has stood in the back- ground , coming forward now and then with a cogent comment on the political situation , shooting the bear at a moment when all ...
Sivu 49
... close in tone to Mickiewicz's . Eugene Onegin is exceptional , for Pushkin , in that the narrative voice is such an integral and dominant part of the poem . For one thing , it is more continuous with the poet's life than his other works ...
... close in tone to Mickiewicz's . Eugene Onegin is exceptional , for Pushkin , in that the narrative voice is such an integral and dominant part of the poem . For one thing , it is more continuous with the poet's life than his other works ...
Sivu 67
... close the Classical canon and ( especially in the visual - plastic arts ) to compile authoritative catalogues of recommended models . The French Academy refused to accommodate the sculptures from Olympia . Dr. Johnson found Homer ...
... close the Classical canon and ( especially in the visual - plastic arts ) to compile authoritative catalogues of recommended models . The French Academy refused to accommodate the sculptures from Olympia . Dr. Johnson found Homer ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
Tekijänoikeudet | |
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Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters cism Classic ideal Classical Tradition Classicist consciousness contemporary conventions created critics Curtius Czeslaw Milosz digressions duel emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet harmony hero human Ibid imagination imitation individual intellectual Lady language Lawrence Lawrence's Lensky's literary Literature Lithuanian London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz perception Picasso play poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist Prufrock realism reality Robak role Romantic Image Romanticism Russian seems sense sentimental Slavic Review social society spiritual stanza subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing tion truth twentieth century University Press values vision whole words York Zosia